Elizabeth Hagan leads us into a Brave Church / Transcript

Note: Can I Say This at Church is produced for audio listening. If able, I strongly encourage you to listen to the audio, which has inflection, emotion, sarcasm where applicable, and emphasis for points that may not come across well in written word. This transcript is generated using a combination of my ears and software, and may contain errors. Please check the episode for clarity before quoting in print.

Back to the Audio Episode


Elizabeth Hagan 0:08

The brave churches are ones that are willing to really connect with their communities and with each other. I say when I went into the pastorate that I wanted to to be a pastor because I wanted to know and love people well, and I think that that doesn't…that that can only happen when we let go of a lot of like the churchy institutional stuff.

Seth Price 0:42

Hey there everybody, how are you doing? Welcome back to the Can I Say This At Church podcast. It is, I think, today's the last day of May at episode release. So happy Memorial Day to the United States and happy May 31 or maybe June 1, depending on where you are in the globe, listening to this, but I am happy that you were here. So a couple quick PSAs. So I have at least one, maybe two or three new designs to run up in the store. I am still working through that. I wasn't happy with the storefront for the merchandise and so yeah, be patient with me, I'm working on it. When it comes back, I'd like it to be something that I'm a little happier with. And that's not where we were last time. So my apologies for that.

Now, this summer is going to be crazy for me. And as I alluded to a few weeks ago, I need to make sure I make space for myself to recharge and most importantly for my family, my wife, my kids. And so you will see some repeat episodes. This is a new one this week and the next week, I'm going to bring back one of my favorite guests for a repeat episode. So we'll call those like, what vintage vintage episodes. I don't know if a four year old podcast can have vintage anything. But you know what I mean…I'm rambling. Here we go.

Years ago, when I started this show, my goal was to have conversations for me that I wish that I could ask in a church, or I wished that I would have been able to ask in a church back in the day, and just see what happens. Like where I grow and learn and how that changes the way I view God. And it has been so good for me. But that's just me. So I brought on a guest and we had a conversation about that but at an institutional level. What it looks like for a church to bravely step into intentional conversations that are around that premise? And I think it can be scary for churches. Shoot, I know it was scary for me still sometimes is. But I think it's healthy, and it's intentional and needed very much so and so with no further ado, welcome to the summer, maybe your kids are out of school, maybe they're not maybe you don't care. Doesn't matter. We're going to do the thing. Let's go.

Seth Price 3:27

Elizabeth Hagan, here we go. Someone on Twitter put us in connection with one another. And then we've circled around one another for like, what, two months? And that's my fault. Honestly, I send the message and I forget about it. (Elizabeth laughs) Just asked my wife. But welcome to the show.

Elizabeth Hagan 4:29

I'm glad I'm here. Thank you for having me.

Seth Price 4:32

Yeah, that conversation happened today. I was talking to her. And she's like, “Did you see my text message?” Which she had sent six or seven hours earlier? My answer was, “no. I can look at it at the red light if you want. When we get to a red light, I'll look at it”. And she’s just like, “it doesn't matter anymore”. I'm the worst at responding to anything. So it's not just you.

Elizabeth Hagan 4:08

No, I'm married to that! I have to go put a form in front of his face and “say sign this now” if we want it to be done.

Seth Price 4:17

I don't know, I can be so organized at work. And I think when I'm just not at work, that part of my brain needs to rest. That's what I'm going to say.

Elizabeth Hagan 5:10

The world needs all types may go around. That's what I say. (both laugh)

Seth Price 5:15

Yeah. What would you say the answer to be when someone says what are you or who are you like, what is that answer? Which I'm aware that that's extremely open ended. So you can run with that wherever you want.

Elizabeth Hagan 4:44

Sure, I think the first word I would say is I'm a pastor. That's something that's been a part of my identity for I guess the past. I think it's 15 years now. I guess I'm getting old. I grew up in a tradition where women were not encouraged to be pastors and they were not ordained. And it was a really big deal for me the way that I found myself to affirming congregations and made my way to ordination. I grew up in the Southern Baptist Church. And so yeah, and I was ordained American Baptist. Do you know the difference between the two?

Seth Price 5:17

No, but I grew up Independent Regular Baptist.

Elizabeth Hagan 6:04

Oh! Cool! You’re like one of the 100

Seth Price 6:08

I'm from way West Texas, I don't know much about the difference between those two.

Elizabeth Hagan 5:28

Yes, it was really big deal to me when that finally happened. Because I had felt really interested in all things spiritual, and I was young, I was kind of geeky like that. But I was always told that I had to marry a minister or maybe I could go to another country because that’s where we send strong women.

Seth Price 5:49

If you would just emigrate, you're more than allowed to be you.

Elizabeth Hagan 5:52

So I started actually trying to, you know, have an apprenticeship of that. Like I saved, I'm telling you, like, I'm the geekiest, you know, former evangelical. But I worked at Chick-fil-A, because that's what all good evangelicals do when I was in high school. And I saved my Chick-fil-A money and I went to Kenya and Tanzania to study under missionaries when I was 18 by myself. And it turned out being this like, really dreadful experience, because these people that I had idolized, I'd grown up like, missionaries are like the best Christians in the world. And I found out, I went to this huge mission conference, and they were some of the most miserable people I'd ever met. And they really weren't kind, in general. And so my life kind of shifted at that point. And it's kind of a miracle I found my way back into something that is ministry related. But I'm really happy I did because it's an important part of what I do now.

Seth Price 6:49

What would you say the biggest thing, the differences between an American Baptist and a Southern Baptist is? Because I don't know those differences.

Elizabeth Hagan 6:55

Oh, you don't know. It's a cool story! The church I was actually ordained at was Calvary Baptist Church in Washington, DC, which is the founding Church of the American Baptist Church. And it was, where in the 1840 somethings, the Baptists of the North and the Baptists of the South came together and they were arguing over slavery-as the country was-and then the Baptist said, “Well, we believe in slavery in the South, and we don't in the North”. And so they separated the way the country did. The American Baptist was used to be called the Northern Baptist.

Seth Price 7:28

Yeah, I knew the history of the Southern Baptists I just didn't ever…I’m from Texas so we don't learn about anything. And then yeah, it's not even in the book.

Elizabeth Hagan 7:35

I mean, I grew up in Tennessee, I knew nothing about it until I found myself in Washington. But it's kind of cool. They've always sort of stood for, you know, more social justice equality issues from that kind of beginning. But yeah, besides being a pastor, I'm, I'm a mom. And I'm an author. My first book was about called birth, finding grace through infertility was about our journey of, of making our way into Parenthood. And so I'm really passionate about adoption, because that's how my daughter found us. And I'm also really interested in orphan care, because of some work that my husband and I have done through some of his jobs he's had through the years and I started a foundation several years ago called our courageous kids, that helps kids who grown up in international orphanages be able to have money, they need to be able to go to college or to have mental health support, because of the trauma that happens to kids in these settings. You know, giving them an opportunity for education is one thing, but if you don't heal the past, and it doesn't really matter. And anyway, that's something I've been involved in for, I think about the past five years, and it's been really cool. We've had some students live with us. We had a student who was going to college in the US quarantine with us during COVID. lockdown simply had a new family member for all that time. A long haul for the long haul. Yeah, and make really good Kenyan Chowpatty, which is this really neat, like flatbread kind of had its roots in India that I learned from our one of our Kenyan daughters. And

Seth Price 9:11

how long were you in the Virginia DC area? Those that's why so I actually live out here in Charlottesville are

Elizabeth Hagan 9:16

awesome. Yeah. Yeah, I'm not there. Now. I'm on a sabbatical year of sorts, down in Georgia with some of our family, but my roots are in DC. And you know, that's where I've been all my adult life.

Seth Price 9:31

So yeah, the book that you've written, I just want to also be clear, I haven't read your first book. Oh, that's fine. Fine. Yeah, though. You reference it off and on. So I have a feeling. I know a bit about what it's about in the little bit that you spoke about in the one chapter in this book. But as I read through the book, when I finished it, and I looked at the table of contents, I basically realized that every single one of your chapters is effectively an episode of the show. Like the thing people are like, we don't we don't We're good people here. And we don't want to make anybody uncomfortable. So we can talk about that on Wednesday night fellowship after everybody leaves.

Elizabeth Hagan 10:08

Right, right. And it's kind of hard. Now I want to talk about all those things, you know, I can't, I can't talk too fast. Yeah, but the idea of the fact that we don't, we aren't very good. And our faith communities about talking about real things, which is something you're passionate about, I know, is something that I developed a real interest in, especially after my book burst came out in 2016. And I was doing with authors to, you know, you speak at conferences and churches and things. And I had people tell me, please don't talk about that. But I'm like, you invited me to talk about my book? What am I supposed to say? Like, sing a song or say a prayer? I'm like, that's my topic. And they said, Well, that's just, you know. Yeah. And, or, you know, they would say, it's just for young people, you know, we have a bunch of old people in our group. And so I had to figure out another way, you know, to keep talking about something, you know, I wanted people to know about. And so I started doing these grief workshops, where I would talk about all the things we don't talk about in church and and have people tell their stories. And I mean, I just was, it came to be so clear that we just, there's so many things we don't talk about, and that maybe our congregations need more tools about how to begin to open up those discussions. Yeah. Did you

Seth Price 11:44

just say, do you think that there was a time or place that the churches actually did encourage conversation of this manner? And that in just your experience, your training your minister, you talk to other ministers, or pastors or Reverend, I don't know what the word is? It's, it's whatever it is. That maybe have we ever done it better? Because I, I see a lot of like communities like podcast communities, having conversations like this, and a lot of people mln. But do I only know about my church? You know, what I mean? Do you feel like, there was a time we've done it better than what we do now? Or is it maybe getting better?

Elizabeth Hagan 12:22

Oh, well, I think that there are pockets of communities that talk about some of these things. And that's a lot of the work I did for putting this book together. I I sought out innovative communities around the country that were talking about these topics and what that looked like, and how they integrated that into their, their community life. But I That's a really great question, like historically, like, from church history. Have we always been such a close? I don't know. I mean, you know, when your your whole system, you know, gets to be such a institutional hierarchal, you know, especially when it's just men in charge, you know, yeah, there's a lot of like, toe, the company line that goes on. Yeah. But you know, one thing that someone asked me recently, I said, you know, it seems like people can talk about this stuff like on Dr. Phil,

Unknown 13:14

can we use

Seth Price 13:15

that Texas drawl? You just have to change your accent? Yeah. And then it's acceptable. Right? So the churches that would tell you don't talk about that, did you just do it anyway? Or not show up? Or what would happen there?

Elizabeth Hagan 13:31

Well, you know, you, you tone it down when you have to, but I mean, I I had many occasions over that period of time where I was asked to give sermons. And I kind of got tired of hearing my own sermons, but I give sermons where I'd use the word infertility and talk about my own struggles in the context of, of the sermon I was giving. And in many cases, people told me afterwards, that's the first time they'd ever heard that word uttered in church. And that felt to me like a real shame because it's a statistic say that one in eight couples struggle to conceive. And so that's everyone, you know, and everybody knows someone. And in the case of, you know, saying, well, it's just an issue for young people. I had 60 somethings, come up to me on several occasions and tell me about their struggles with miscarriage or tell me about how they were one of the first families in the US that had IVF and how they were so embarrassed to admit that to their friends, and so, you know, that's just one topic, but I think there's just so much that we feel unnecessary shame about in a faith community because we're, we talk so much about I don't know what, how you grew up, but I mean, in the churches where I was raised, we were really good at the ology or Bible stories, things like that. But we didn't really talk about people and like, how real life affects people. And then how you find your way in faith because of say, someone in your family went to jail or because you know, your best friend has an eating disorder, or and someone else in my high school, that was one of my good friends used to cut herself. And it's like, oh, gosh, we don't say that allow, you know?

Seth Price 15:18

Yeah, I don't I don't know what my old church growing up was good at without being really sarcastic. I've never actually given that a lot of thought I'm certain they were good at something and still are, they still exist. Maybe they were good at casseroles. Were a Baptist Church, we could cook. by me. I think most churches can because I've been to a lot of church meals. And most churches, they come with that a game. I want to pivot a bit. So in your work, or in this book, specifically, you lay out at least five maybe more like ground rules for when faith communities want to have conversations about things in a way that hopefully you don't divide the church into another church, because we're really good at what's my pastor say, we're really good at multiplication by subtraction like we have. We have 28 more churches, but no more believers in the city. We just right. But we have more churches, we're really regrowing, we're doing it. There's step two, though, and I highlighted it. I don't know how that works. And so I'll, I'll read it back to you. How does one either either someone facilitating uncomfortable conversations, or me having one, especially because that's all we do anymore is yell about politics, or masks or COVID, or guns or whatever you put in here that you have to learn how to own your intentions, and your impact. And know that your words can hurt other people. And I feel like most people understand that because I've seen my words, cut people. But I don't know how to always own my intentions, and more importantly, my impact, at least in the moment. So can you rip that specific thing apart a bit?

Elizabeth Hagan 16:52

Well, I think a lot of people say as an excuse, like, well, just don't take this personally, you know, like, I mean, well, just, you know, take it Take my word at a grain of salt or whatever. People use as caveats. But the real issue at stake is that when we're talking about things with each other, sometimes, and maybe even oftentimes, we say things, even if we didn't mean to that hurt people. And I think what we tend to not do very well in the church is to own the fact that we could be offensive to someone, even if we didn't mean to be offensive. And it doesn't mean that we're going to realize that in the moment. But you know, an example, when I was teaching this to my congregation, while I was writing it, we were talking about this, and we you know, it was fresh on people's minds. And we were sitting in a church council meeting, you know, everybody's favorite thing, administrative live at a church. And, you know, someone ended up you know, was, you know, waxing and waning about something, and then made a comment that another member of the group felt like, was really sexist. And he didn't mean it to be. Or at least he said, he didn't mean it to be. And this was a conversation then that they were able to have afterwards kind of knowing that we were in the groove of this sort of brave space church, and able to understand the fact that what you said was not cool. To me, what you said, made me feel belittled. And And could you you know, just know what you reconsider what you said in the future. Maybe not say that again. And and I think that that is so powerful. I mean, because it opens up vulnerable strains of conversation and opens up opportunities for people to see how their words affects people. Yeah, we may not mean it, but it doesn't make it any less hurtful.

Seth Price 18:48

A question that kept bubbling up, as I read through your your book is, I encounter people that will not do that. And I think that's probably why I circled that where they're like, yeah, I hear that. But you're just, they'll use a pejorative illiberal, whatever, whatever. And they're just not going to do it. And they're also not going to leave the church, or my family, or my friends, community, or maybe I work with them and like, how do you navigate that when you think that we need to have this conversation? And you have told me you're not going to change? But I still need to say something like, how do you navigate through that, especially in a way that doesn't break other relationships?

Elizabeth Hagan 19:25

Well, I think it begins with the bigger picture of the conversation and of the relationship. I mean, I wrote this as a guide that a group of people would do it with intentionality. It's not just your, you know, you can't just take this and put the concept on a larger group without, I think that intentional covenant that you're going to make with each other to say, this is a sacred space. This is set of smart space, we're gonna practice something that's not natural to any of us. We'd rather just take our toys and go home. All right. And so we're gonna do this thing together and we're, we're going to make mistakes and we're not going I always get it right. But we want to practice this different way of being with each other knowing that we may not be able to practice it all the time, it may be too much or too hard. But that we we come to this brave space, we come to a brave church group. And we begin living out this work in a different way

Seth Price 20:18

of the topic. So I've got them over here. So yeah, I'm gonna bounce around quite a bit. If that works, so you asked the question, what does your church believe about submission? And you ask it in the question on domestic violence, I believe it's in domestic violence. Yeah. And I will say, That's not something that I talked about. And I'm happy to say it's also not something that necessarily my wife and I struggle with. But I know when I hear stories, that that's not always the case. And you see this stuff during quarantine, that those cases have arisen as other cases of other things. Because you're you're you're together, and you're angry and fearful and violent. What do you mean about like a theology or a doctrine of submission? Which Those are my words morphed onto your sentence? But what does that mean for someone listening? And they're like, I don't? What do you mean submission? And how does that relate to domestic violence? And then how do we kind of navigate those waters? Yeah. So

Elizabeth Hagan 21:12

in the domestic violence chapter, I lay out some theological issues that really to ask ourselves questions about how these theological teachings that we have in place, not every church has these but many do, how they lead to a culture that allows domestic violence to go unchecked. And in the, in the case of submission. It's this idea, you know, that there's men, and then there's women below, below them. And that, you know, the man is the head of the house, or the man is the head of the church, and women's voices, all domestic violence cases are not necessarily men against women, but the percentages tell us that most of them are. And so if a woman who was in a church that had a strong doctrine of submission, experienced abuse, emotional, physical, psychological abuse from her partner, it would probably be married partner, she would feel like I can't say no, you know, like this idea of like, I can't speak up, or I can't go against my husband, it's God's will that I allow him to be the head of my household or in the case of pastoral leadership, knowing that you couldn't go seek counsel from a woman who may be on the pastoral staff or in the leadership of the church, because they simply wouldn't be there. And how when we don't have women in on equal level, and we don't have women in equal leadership positions, how that just allows a culture of patriarchy to sweet domestic violence, really under the rug.

Seth Price 22:54

There's another part I think it's a few pages after that. So I do not even say this word because it's a Greek word. So you have four loves and I also never read this book by CS Lewis. I'm ashamed. I haven't literally over there, but I haven't read it. So can you rip apart What? Stargate so there's for those listening there's philia love which is friendship arrows, which is romantic a gabbay, which is the one that everybody talks about, because we got we only talk about the Apostle Paul and and the gospel of john in churches, we we know that that's all that we talk about. What is his story? Is that even the way you say it, like, what is that?

Elizabeth Hagan 23:30

I'm the worst, I like to great pass fail. So I'm not the expert on how you say things, but I'm just gonna say storage. And I, I was so happy in finding this resource and connecting it to the sexuality chapter. Because I know, in so many contexts, the issue of you know, are you for the LGBT teach? I can LBT it's too late at night. You know what I mean?

Seth Price 23:59

Please tell me LGBTQ.

Elizabeth Hagan 24:01

Oh, man, you're so brilliant. That, you know, either you're for or against that community and that can be so divisive. And and in churches, you know, churches, split denominations are splitting United Methodist churches splitting next year officially over this issue. And it becomes such a game that

Seth Price 24:22

is splitting. I thought they were like voting.

Elizabeth Hagan 24:24

Well, I think they've already voted and they're gonna finish the deal. Next year. I'm not United Methodist, so I shouldn't be speaking on the behalf of

Seth Price 24:33

Hobbes. I'm gonna go I'm gonna Google that. I'm gonna figure that out. Yeah,

Elizabeth Hagan 24:36

um, so yeah, it's it's such a big like splitting issue. But you know, my idea about this book is like, How do you stay in conversations in a healthy way, and this idea of like, you may not be able to have the kind of partnership kind of love for someone, or deep friendship, love that CS Lewis talks about But you can't have the storage love, which is the love of just common experiences. I mean, he writes about, you know, how you can be happy for, you know, someone that gives you your coffee, and that you see on a regular basis or someone you know, I think about church, you know, the older gentleman who passes you candy, you know, as you walk in the door, I don't, I had a sweet experience with an older man growing up, I always loved his peppermint, you know, and he might grow up, you know, I don't know what happened to him. But, you know, he might be the person when I'm a teenager who thought that I was just a terrible heathen. But you know, I still have affection for because of that sweet experience we had together, you know, sharing candy. And so we can find ways to be in community with people that we completely disagree, because we're all human beings. And there's certain experiences that we can share with one another, that we have familiarity with one another that that really do build our love. I mean, that's one thing I've heard a lot about related to COVID, since we all been stuck in our houses. So we haven't had that sense of community with the Starbucks barista that we used to have, or with the crop and guarded our kids school, because we just kind of stay with our own bubble of people and how much we can all wait to get out in the world. And we're reminded again, I think at this moment, like how, how much those little connections of community and, and the love that we share for these people, like I love the post office, I can't even tell you. The post office, absolutely not that was like a small child. So I know like all the postal clerks by name because I always think of reasons to mail people things, you know, and like, you know, we're never gonna hang out outside the post office, but I have like affection for them and, and how excited they are to, to see me and

Seth Price 26:53

we've reached that random point in the episode that I've got to do this, because capitalism is the beast that requires feeding. And you amazing people continue to help the show grow. And I got to help pay for that. So hang tight, and let's do this.

Unknown 27:13

Failure is not the fault. But it's the stallion down.

Seth Price 27:25

I will say so. During all of that, about this time last year, when they shut everything down, I can't tell you at the bank, how often a lot of our elderly clients would call and then we just talked for like an hour, because they come in every day to get their money, but they're there for 40 minutes, they just come in to talk, but I missed a lot of them. And when we could open the doors back up, I'm like, come on in here. How you doing? There is quite a bit of that. I want to ask this, how do I ask this question? I'm just gonna ask it. I don't know how to be. I don't know what the word is it doesn't matter. Is there a way to have conversations about this where at the end, both sides feel that they're progressing? Because inherently It feels like when we're working our way through an argument, there needs to be movement left or right. But is there a way in your experience that is you've helped her just kind of guide through being a brave church and actually having conversations with intention, that someone that the two sides began at opposites, and they still ended opposites. But they're both progressing, if that makes any sense at all.

Elizabeth Hagan 28:26

I think it has a lot to do with like the common goal of what you're trying to achieve if you're trying to win people to your side. And I mean, that's the only market right of success. One of the groups that I did some research on and talk about in the last chapter of the book is called better angels. And are you familiar? It's it's a group that began in 2016, after the Trump election, to help bring people together who voted for Trump and voted for Clinton. And they started with a weekend retreat where they had Democrats and Republicans equal number together in the same place very passionate once for a weekend. And they had that goal of like, can we can we move the needle any farther. And they had such a successful time together that people they really felt like in this the way they were organizing conversation, and people were actually committing to spend time together not just like sound biting each other, that they it birthed this kind of national nonprofit and movement. And I went to one of their all day workshop. And they called it Team Red and Team Blue and we had opportunities to talk about what we thought the others thought of us or what we thought of them talk about stereotypes and prejudice, but then we had to eat together and and process the groups and it was a really beautiful experience because you're reminded that people are more than these are my five points of what I believe on these particular issues, but these are like, human beings sitting in front of me. And I think, in our age when we're just spouting at one another on the internet, all the time, and we we've lost a sense of actually knowing people and, and not beginning a conversation where it's like, Okay, what do you believe on this issue? Okay, I'm on your team, or I'm not. But you really get to know that person as a human being. And you talk about the ways that you can connect, I mean, it's not like you're going to birth a relationship with someone who's very different from you, overnight. But if you commit to the process, I think beautiful things can happen, especially under the umbrella of a faith context, when you know that you're all gathered there with similar intentions. You have faith in God, and you want to learn more about what it means to follow Jesus and you have sacred text and you want to use your gifts to be helpful to people in the world. There's a lot of common ground you already have in that context. And so the more that we can humanize each other, I think beautiful things you really do.

Seth Price 31:06

Yeah, I think that's a good goal. Another relatively, I don't know, devil's advocate question. So all of the research shows that the churches of my pastor said this before that he if he was being tongue in cheek, the role of a pastor is to manage the hospice care of the church, as it slowly seems to be declining, in at least America, year after a year. And so I have to think that the overall bulk of the churches are not practicing, or even really care to practice a brave type of mentality as we try to work through with intention. As a pastor, what do you feel like that sunset is if we can't actually learn how to actually hear one another before, like, it's irreparably damaged as like a faith community, just across like, states, the cities like it, does that make any sense at all? But that question, yeah,

Elizabeth Hagan 32:03

I mean, it's a complex, it's a complex question. For sure. I agree with you that, yes, you know, I'm a part of my ordination as a part of the, what I would call the bubble of the mainline Protestant church, you know, in the 50s. And 60s used to be where all the people were. Now it's not. Most of the congregations I pastored, through the years have the majority of people that could be my parents, and not my peers. Which is fun, but not, doesn't look good, right for the future. Yeah. But I think that the churches I know that are vibrant, and I would call brave, are those that are willing to go beyond sort of the institutional gatekeeping type things, or we always do these holidays, or we always do it like this, or this is the pattern of our life together. The brave churches are ones that are willing to really connect with their communities and with each other, I say, when I went into the pastor, that I wanted to, to be a pastor, because I wanted to know and love people. Well, and I think that that doesn't, that's, that's can only happen. When we we let go of a lot of like the charity, institutional stuff, the church that I just finished, leading, actually, just a couple months ago, made a very brave decision. And I won't I don't want to say it's just because they did brave church as the one but I'm not sure. But and they really, really have received it, embrace it, right? Because they helped me write the book. But they made this really cool decision, which I'm so proud of them for, of morphing their administrative life into a nonprofit separate from the church, and allowing their property management and all their rentals to be given to another entity. And now they're just a safe community that doesn't have ties to the building, although they still meet in the same building, but they gave up their rental income and all their major, big administrative strongholds and gave money from their endowment to hire the executive director of this new nonprofit to create and why they did it was because the church, it was the Palisades Community Church in Washington, DC had been founded almost 100 years ago, as a ecumenical community for people in the neighborhood to send their kids to Sunday school. They didn't care whose name was on the door, but they were glad their kids could have some Christian education. And what they discovered was that people don't want Sunday school in the same way that they wanted 100 years ago for their kids, but people still want places to learn and to serve, and to gather. And so that's what this new hub nonprofit is about. It's a non churchy. I say a non church In the sense that not under any sort of religious programming, but they're still going to use the building and all its assets for places for people to have educational programs and people to connect and gathering spaces. And I just, I think that the church like that has to evolve, and not say, it has to be under this very particular umbrella that we like, and that makes us feel good about our traditions. Sometimes it's not going to be what we think it is. But yeah, it's going to be what people need.

Seth Price 35:32

Yeah. And that honestly sounds like a reframing of what people conceive as what churches because I think some people when they say church, they mean the body and what we do in the community, and sometimes when they say church mean a little bit of that, but also it's wrapped up into the memories inside these walls, right weddings and funerals. And that one message that, you know, it's wrapped up and all these other things that

Elizabeth Hagan 35:53

are somewhere to go on Sunday mornings at 11 o'clock, right? Like, just sit in the Pew that their great grandfather said,

Seth Price 36:01

See, I'm that bad Baptist that if my wife will let me we sit in a different seat every time. And I know it makes everyone uncomfortable. I love it. I absolutely love it. And it also makes my wife uncomfortable. I don't love that as much. So if you could add a chapter because you in here you talk about infertility, mental illness, which we haven't really touched on domestic violence, racism, sexuality, what would you add, if you could write it again today? Another book like Part Two? And what were those topics?

Unknown 36:34

Huh? What was the one topic

Elizabeth Hagan 36:36

that I had done some work on that I would have loved to put in the book, but decided it was probably too much was abortion. I would really love to written about abortion, in particular, because I know that it's such a divisive issue. You're pro life pro choice. The two shall never speak at one another, often not with kindness or civility at all. And I've encountered a ministry called Well, I say ministry, but it's not explicitly Christian, called exhale. And its its entire mission is to serve those who have been through abortions of no judgement. But knowing that they need support and care and love and need to be humanized for what they've experienced, no matter if they think it was the best decision they ever made, or they regret it with all their heart. They deserve to have the support they need to go on to live their lives. And I was just so impressed with that, and how, how we just D humanize abortion, and its deep ties to the Catholic Church and the Evangelical Church. But I know that that might have made some people not pick up my book at all, because of how polarizing it is. So

Seth Price 37:52

Well, I mean, whatever. Well,

Elizabeth Hagan 37:55

I have to tell you, I have a colleague who said, Okay, are you getting How you feeling? Like, what are you talking about? You're becoming that girl. And I'm like, What? Well, you keep writing about all this like weird stuff. I don't not sure you're going to be like accepted in these like, mainstream settings. And I'm like, Well,

Seth Price 38:16

no, darn.

Unknown 38:18

Oh, well, you know? Yeah,

Seth Price 38:21

yeah. I mean, it's a wide river every time I have an episode about something that I think nobody cares about. But me I get many, many emails with people like Yes, I've been thinking about that for freaking years. Yes. And thank you for this, this this resource, that resource, what else can I read? because nobody's saying it. But everybody's asking those questions. I also don't think it's as simple and you probably don't either, like you're not pro life or pro choice, because you're either anti, you're probably anti abortion, or pro choice. Maybe that's a better binary is pro life is something entirely different than abortion. Anyway,

Elizabeth Hagan 38:55

abortion, something I've been learning a lot about, and the complexity of how so much about our history with abortion in this country is really not about abortion, you know,

Seth Price 39:04

yeah, I heard and I don't remember, I listened to a lot of podcasts just because I have like a 45 minute drive to work. And so that's, I get tired of the same 23 is right over the Blue Ridge Mountains. It's a gorgeous drive. But I get tired of the same 27 songs. So I listen to a live podcast from a few years ago. And they were talking about and this has nothing to do with your books, I apologize. But it is, I think related to abortion. So they had said the way that the law was written is you can't abort after so much time after it's no longer so it's fine until it's medically viable, you know, baby, but they said realistically, they can pretty much do the math and within a few decades, realistically, there may not come a time where the baby could not be made viable with medical advances outside of the womb, even for a long amount of months and be perfectly fine. So they were like you know it It may fix itself where you don't even know that you're pregnant until you know that you're pregnant. And then it's already medically viable. So yeah, it is. Yeah. And I was like that, because they could mathematically go, yeah, we're watching exponentially as science catches up. So we might not even argue about this later. It could be something I was like, Oh, I don't know. It's just a bit.

Elizabeth Hagan 40:23

Laws are so messed up. And the other thing I wish there, stay tuned, there might be a volume too. But I would love to write about sexual abuse. You know, domestic violence is one thing, some sometimes connected to sexual abuse, but the history of sexual abuse in the church and not wanting to talk about that.

Seth Price 40:38

That's probably a book by itself. Not a child, probably. So yeah, it's really painful. Yeah, yeah. Yeah. Yeah, that's Yeah, that's a big topic. I asked this question of everyone. And so you, you probably were expecting it because you said you let's do an episode. But what do you say when you try to explain what God is?

Elizabeth Hagan 40:58

I think my favorite word is mystery. I wouldn't have said that years ago, I would have spat it out some, some big seminary words that I learned or, or something that not the average person would understand. Or maybe I wouldn't even understand myself. But I think in my own journey of being a person of faith and living life, in all its complexity, as much as I think I know, I never really know. And as much as I think I've heard, or I'm doing the thing that I'm supposed to do, I don't really know. But I do believe in the goodness of the mystery of God and that, you know, I I know that I'm still a Christian, even after all, the deconstructing that I've done it by faith. Because I, I believe in, in death and resurrection, and then the hope that comes through that story, that the worst thing that happens to us is never the end of the story. That's a mystery. I mean, who would have thought I mean, it makes no sense. Like, how can the worst thing, you know, turn out to be the best thing and I have had dark chapters in my own life where I thought, this is the end my like, my life is over. This is. Yeah, you know, God must have forgotten my name. Yeah, but even still, some, some good things come out of it. And things that I couldn't even have seen if I hadn't just stayed in the story. You know,

Seth Price 42:24

yeah, battle preach. The worst thing that could happen is not it's not a battle. Yeah, there you go. That's a sermon right there. That's what happens. You know,

Elizabeth Hagan 42:31

once I won Easter sermon, you know, because it's always like, you got to have the big, you know, you got to be big and impressive on Easter comes. Yeah. And but it's the same story. Say, it's, this is like every pastor, you know, the Saturday night before Easter, what am I going to say? But I remember one Easter sermon, I told the story, you know, I was preaching on the the marry text, or Jesus encounters marry in the garden. And I talked about, you know, her experience of having this personal resurrection, like, she got to see Jesus, personally, and how I think that resurrection comes to all of us in a very personal way. And I talked about the time that I declared the universe, we were in the throes of like deep infertility struggles, and lots of loss and pain. And I Scott, I just don't believe in you. It's not something you you really want your pastor to say, much less, say on Easter Sunday, but this is what I was telling them. But how I had, you know, an equally powerful experience of feeling like, what I, what I felt next was God saying, you know, you can say believe a lot of things, but you can't say that I'm not here. And, and that it was this moment of like, okay, okay, okay. And, and, and it could, you know, in the coming days and weeks of community, which I call, you know, incarnation of people being present for me, showing me back to my faith and back to God, and back to wholeness and healing, because of how they showed up for me and cared for me and like, in my pain, and, and so, you know, I think we can have times of like, deep doubt. And, you know, I would love to hear it more pastors, tell me about the story. God, believe in them, because I think we all kind of face that at one point or another.

Seth Price 44:21

That's the bulk of the Bible. I think it's like 77% of the Bible is people yelling a guy being like, what are you doing? If you're even real? Come on, right. Are you doing? Yeah, I forget who it was. It's been a while, probably over a year, someone said a quote that reminded me of what you just said were to be in a faith communities is meaning that sometimes you get to say, I can't do this right now. I don't even know what I believe. And then the community come around behind you and saying, that's okay. We will carry your faith with you for a time. Oh, yeah. Carry it for you. Yeah, when you're ready. We're right here and you can have it right. Yeah, yeah.

Elizabeth Hagan 44:56

Yeah, I have friends. I'm like, Can I borrow some of your faith that this is going to be okay. Cuz I got Yeah. Sometimes you're like, well, I don't have any for you right now you go to someone else. Yeah.

Seth Price 45:08

Let me know if they have extra. Where's the extra resources? Yeah, so the book is out when? Where do people go to do all of the things that they should be doing on the places?

Elizabeth Hagan 45:20

Yeah, so easiest is to go to Elizabeth Hagen, ajga n.com slash brave church and you can find all the resources about where to buy it. I'm really excited about helping to shepherd a group of churches this fall, you know, it's a time when everyone's kind of getting back in the swing of things. So I'm excited about our churches that are signing up to be launched churches for being a break church, and that I'm willing to either be with them in person or be with them virtually as they do their brave church group or groups. And really, you know, start up movement of, of churches that are talking about these things. And, and the real crux of the book is that it's one chapter, there's so much more to say, on the topics and I'm really glad there's lots of resources in the book to keep talking and for people to explore, you know, that say it better than I ever could. But I hope that some places some places that even surprised themselves, take on this mission as fall with me. And um, sign up to be a break church. Yeah. Let's work together.

Seth Price 46:27

Yeah, yeah. That's good. That's good. Well, I appreciate both your willingness to reschedule and for your time, and I'm sure it's a detriment to your family, and your husband and everyone else that are like, fine, I'll put the kids to bed. So I appreciate that.

Elizabeth Hagan 46:39

Thank you for giving me a night off. I really appreciate it. Like five times for like extra tuck ins or water, you know,

Seth Price 46:49

my, yeah, I am at the point now where all of our kids are old enough that I'm like, just go in there and get your own water. It's fine. I'm not getting out of the bed. You can you can go do it on. The light's not on well figure it out, you know, this way too, as well. Good. Thank you again, so much. I appreciate it. Thank you.

Unknown 47:14

Because

Unknown 47:15

of the shaded hue,

Seth Price 47:25

it was a joy. Speaking with Elizabeth, a pure joy. I laughed a lot and giggled a little bit. I'm not afraid to say that I giggled, I really hope that maybe you can help foster in your faith communities or in your families. Brave conversations, because not do so. I think we risk so very much. So very much. So today's episode was produced by me in my basement. I say that sarcastically but it is more importantly, produced by the patrons of the show. Kathy Bruce, Welcome to the family there. Now, it's something you all should do. And it is one of the best ways to support the show. I get it if you can't do it, but if you can consider kicking a few bucks a month or you can get a discounted rate if you do it per year. You'll find links for that in the show note. Huge thank you again to the music for today's episode provided from remedy drive. And I've got David actually coming on the show again here in the next few weeks. And that should be out and at some point who knows. But as the season have right now be that early summer or early autumn. As I look at the numbers for the downloads on the show. I pray your blessings. And I really hope the next few months are fantastic and maybe recharging and energizing. We'll talk soon

Unknown 48:51

Ciao

Music and New Realities (Under the Leaves) with Ryanhood / Transcript

Note: Can I Say This at Church is produced for audio listening. If able, I strongly encourage you to listen to the audio, which has inflection, emotion, sarcasm where applicable, and emphasis for points that may not come across well in written word. This transcript is generated using a combination of my ears and software, and may contain errors. Please check the episode for clarity before quoting in print.

Back to the Audio Episode


Seth Price 0:31

For me music is deeply divine. I really can't understand why. I mean, it happened last night. I was watching…I was watching an episode of Grey's Anatomy with my wife. And I don't even really like that show. However, there was a part of the music and the strings came in and it got to me. It made me just be flooded with all of these other emotions. And it was more than I could bear. Music does that for me all the time. Oh, I'm Seth. This is the Can I Say This At Church podcast. So a few months ago, I was presented with an opportunity to listen to an album by Ryanhood. And I didn't know what I was getting into. I'd never listened to the music before. And I really enjoyed it. And so I reached out and had him on the show. What I love about this conversation with both Cameron and Ryan, is just, it's honest. I mean, we talk about music, we talk about ways of hearing and seeing God. We talk about things that we're not supposed to talk about in church. And just the authenticity is two bring to their music is just so life giving. I can't wait for you to hear it. And so that's why we're going to begin now.

Seth Price 1:

Ryan Green and Cameron Hood, two people, which is always fun to bounce back and forth. But we've established, at least for people that are listening to the pre-version of this show that I am professional at this. I never forget the video, I definitely don't miss any audio cues. And so it should be fine. But welcome to you both to the show. Thank you very

Cameron Hood 2:45

Thank you very much, Seth. Yep. It's good to be with you man.

Seth Price 2:48

Yeah, so just so that people listening that can't see your faces kind of know, if one of you could just say Hi, I'm this and here's who I am and kind of why I am like really existential. Just get in it. (they laugh) That way they can kind of hear you drone on for a bit and realize, okay, the next time that person speaks, that's a person whomever

Ryan David Green 3:07

Right, you kick us off Cameron.

Cameron Hood 3:08

That's interesting. Yeah. So this is Cameron Hood, the hood, part of Ryanhood. Gosh, why I mean, who we are, like, I'll just tell you, we're, you know, we're two poets, like a two man band, basically, who have been friends for a really long time. Very different people, but maintained a friendship and maintained a band over longer than 20 years. We're from Tucson, Arizona. We lived for a while in Boston, Massachusetts, where Ryan went to college, and I eventually joined him.

When we both graduated college, we started our band as street performers like buskers with the guitar case opened in Boston. And that was many years ago, we've just maintained our friendship, maintained our ability to write songs together. And I think that we're getting better at it than ever.

Why we are is a tricky question that is such a deep question to open with. But at least for me, I want to, I'm committed, to transformation of myself and hopefully transformation of culture. Like I want to see myself grow and get over some of the dark places, some of the the wounds, the things that hold me back, or you could say the sin, you know. I want to get over those and transform those in myself. And I want to document that through words and stories and songs to help other people do the same thing. The more of us who do that the more, I think, we see the kingdom come like that, to me, that's a tangible thing. I want to help see the kingdom come. And I want to be a part of that, that animates me. So that's why I am. Ryan Green?

Ryan David Green 4:51

All right. My name is Ryan Green, sometimes known as Ryan David Green, when I want a little more uniqueness. And I am the the tenor voice half of this, this podcast, I think I'm gonna be the easiest one to recognize in this call. (leans in and gets that deep voice on) If it sounds like this, it's one of the other guys. (laughs) And, yeah, so Cameron told you kind of our story a little bit but I, one of the things as far as who we are, why we are, I actually I feel like the fact that we are a duo creates a really powerful thing. Because we perform typically just as a duo in front of people and Cameron and I really prioritize having a healthy relationship with one another. And I think the fun and creativity and the spirit with which we interact with each other on stage tends to invite sort of that spirit with the audience with those that are show as well. Kind of a leaning in towards each other, a trust, a care for one another. That is important for Cameron and I with one another and important for for us to feel with our audiences and vice versa. And so anyway, I think that being a duo helps us to kind of model some sorts of relational behavior, and ideally in invite that to sort of spread through room. And as far as individually, I just identify as really, at my core as being a creator of things. And often the things I'm most drawn to are the mysterious, intangible things. tThe feelings that music that art gives me without words, even. Cameron tends to be the lyricist of our group. And I tend to be sort of maybe the producer and the lean heavier on the musical side of things. And that's because I just am so interested in why music and art makes us feel things and why creating something makes us feel things. It feels like magic, and I love it!

Seth Price 7:29

Yeah, so I always like to do this when there's stuff behind people because most people just have a row of books and I have Barbies if you could see 17 inches below the camera; they are all over the floor, I record this in the kids play room. So, Ryan, for you, which one of those two guitars is the one that matters? Like if you had to just pick it up in the dark and play it? Assuming that the amp would work for both, you know.

Ryan David Green 7:55

A little camera pan…Oh, it has to be…

Seth Price 7:59

There on the couch. Obviously, those are the ones you like…

Ryan David Green 8:02

Well you can see they were just above that spot there. The one above it on the wall means the most to me because it was built by a woman here in Tucson who gifted it to me and she was

Cameron Hood 8:13

Yea that acoustic back there

Ryan David Green 8:15

Yeah, she was just getting the hang of building acoustic guitars. And she passed away shortly after. She actually grew ill while building that guitar, she got sick with cancer. And she passed away from us shortly after finishing it. And it's just my…I love. So there's so much intangible wrapped up in that instrument. And then it also is my favorite sounding one that I've got and but also just to like hold it and know that like this was what she poured — when her time was finite and she knew that this was what she chose to do. This is what she went to for joy and was to build this instrument and it's just feels so incredible to know that like these, like no hours could be more valuable that I can imagine than the hours, those particular hours, that were spent on that instrument. And I just feel like it's just such a treasure. So there's a great joy in that one. The red one is a new Takamine guitar I got that I love and it's that's that's my new, my newest favorite because it's kind of made to play fast on and do it. It's a little smaller body so I'm ready to it when we can get back on stage. I'm already practicing how I can kind of move around with it in practice, you know, getting the stage moves going. It’ll be fun. So instead of a huge, bulky one, it's meant for, you know, for some Springsteen, knee slides, I think

Seth Price 9:52

Cameron 20 years. So you said you've been a band for 20 years, correct?

Cameron Hood 9:57

Yeah, we played our first show 20 years ago, this coming August, was just a tiny little thing. We were both in college at the time we knew each other back in high school. But we didn't play in the same band. We were kind of in rival rock bands in high school. And then post high school the the rivalry dissolve, we became friends and started playing together. And it was just sort of a I don't want to say like a lark. We weren’t making fun of anything. It was just like, this sounds joyful and easy to play just the two of us, could we because we'd both been in rock bands, and it's a hard thing to manage a rock band. It's heavy in the sense of managing all these personalities. And it's also heavy carrying a lot of amps and drums. So yeah, we just got together like, what would it be like just the two of us just a lighter enterprise, I guess? Yeah. 20 years?

Seth Price 10:56

Yeah. So at a high level, I wanted to talk about an album that, again, the young lady that set this up, sent me so I hope that that was fine. She gave me access to it ahead of time. I have no idea. Yeah. So I also, I'm not good at writing lyrics. So Ryan, I get that. I play guitar. I'm not very good. Matter of fact, it sounds like you'll have like four guitars playing. So I'm assuming you're looping over on top of yourself, which I don't know how you would do that live? Or is it just the two of you on the album?

Ryan David Green 11:25

Yeah, there are some layers on the album. There's a string quartet on much of the album as well. Typically, we do tour live just the two of us. And so it's going to be two primary guitar parts. So most everything in the record is going to have one or two primary guitars that are creating most of that sound. And then we do some other percussion with our feet and things on stage too.

Seth Price 11:46

So this morning on the way to work. So I've been listening to the album for about a week, because that's how long I've had it. I keep coming back to Appy Returns, and it ends up being …it ends up being the last thing that I hear before I get into work. Like once I dropped the kids off, and I hit play, and I just let it go. That seems to be where I end. I'm curious as to why that has no lyrics because I think it's the only one, unless I'm wrong. And then I don't know. Like, why is that there? Actually let me zoom back. Like, what is what are you doing with this album? Because I want to be real clear. I haven't listened to your older stuff, because I just haven't. So what's going on with Under The Leaves? And then if you could dovetail back into that, like why no words? Why the referee specifically at like, minute to the entire tempo of the music kind of seems to shift as well. Right at about a minute two of Appy. However, we'll get there. So under the leaves, what is that feel free, whoever wants to jump in?

Cameron Hood 12:45

Yeah, to me under the leaves is just a response to like the breakneck pace of life around us over the last couple of years. Our own touring schedule the craziness of the world. And then just sort of trying to take a step back and being like, I need to breathe, I need to find some quiet, I need to find some silence with which to see the world and see myself clearer. And so within that space, there are a lot of conversations about relationships, what happened in this relationship? How did I show up? And is that who I want it to show up as, you know? What's happening in my relationships, on Facebook and in the world and how am I showing up there?

And then it also kind of looks at like, if we don't collectively stop and take a breath and know our own histories. And listen to our own stories, we're not going to be able to do that well to the stories of others. Like if we don't know our own stories, we don't really generally have space to listen to the stories of others. And if we don't do that, what might the world look like if we don't pause and rest, if we don't take a deep drink of water, you know, what will happen?

So to me, that's kind of the the course of of what's happening on the record. It's trying to find some space to breathe and then see ourselves and face ourselves. And I think right there in the middle is just this, like, this jaunt Appy Returns is just, there's so many lyrics on the album. There's so many words, that it's it's just such a welcome break from all of that from all of those thoughts, all the philosophy all the words to just like go on this ride. And that's something that there's precedent for in our band. We have typically had at least one instrumental on most of our records in some cases two or three instrumentals. Just it's just a nice break. It's a nice break from the words and my man Ryan Green can just fly! His fingers are very quick. And we call him the maestro because he just burns up the neck of the guitar. And that's just a chance for him. him to do that and for us to feel something and not not say something but feel something I guess that would be my take Ryan You want to add to that?

Ryan David Green 15:02

Yeah, I mean that. So specifically, that's my goal with the whole sort of production of the album. Was that to make it you know, to feel something to give you a musical bed that that matches lyrically? Well, what is being said. So, there's, there's more feeling on this record as a whole, which is one of the reasons I wanted to work with a string quartet on this record, I just feel like the beauty of that in the, the, you know, we're used to, we're, like, programmed to be manipulated by by string quartets for rice, orchestral, or by strings. It's like, we watch a movie, and it makes us feel, we don't know why we're crying. And, you know, if you've ever watched the movies, when they were they mute the background, if you ever watch these scenes where they Mute the music, right? Yeah, there's nothing, you don't feel anything. It feels awkward. And anyway, so it's, it's an amazing thing. What it does, and I felt like it was really special to get to work with the string players we did on this record. So the and that song appy returns, specifically, I mean, so that's a, it's kind of a sequel to a song called appy jam from an older record of ours called the world awaits. And that song that instrumental appy, jam had become kind of a crowd favorite. It similarly works just like on the album, having an instrumental moment works. As a sort of a palate cleanser and a place to sit in some space and live, it does the same thing. And we tend to do a lot of storytelling live. There's, there's a lot of they go pretty deep, the shows go deep, there's a lot of humor and laughing and there's also a lot of depth. And sometimes, after working people's emotions for a little while, the best thing you can do is just say, Alright, now for something completely different. And you you go in and play a two guitar jam, and people feel great in. And it's as simple as that, you know, it's as simple as is enjoying a little a little flying fingers for a couple minutes.

Seth Price 17:06

I itch to talk about religion if I go longer than 15-20 minutes. And so I'm going to work a question in there for that. So how does what you do in your church or in your, you know, Your Worship or whatever word you want to wrap around that how does that inform kind of the way that you write music outside of the church, because I don't think that you would be playing these really, on a Sunday morning, Wednesday morning, Saturday morning, whatever morning it is that you do your Zoom church, because that's the world that we live in. And people can tune in whenever they want. Like, how does the way that you practice faith kind of informed the way that you'll write music collaboratively or even individually?

Cameron Hood 17:44

That's interesting. I think I might answer that by saying that one of the things that we we try it, we attempt to practice at the church that I go to, which is just like a non denominational, evangelical something 200 to 300 people is to walk through, like the kind of liturgy each week. Something that bears a resemblance to God is holy, we are needy, Jesus redeems us and then we are sent. Or another way of looking at it would be like we're gathered in, we hear the word we sit at the table, and then we're sent out you know, something like that. Those are not the only ways to talk about that not the only ways that church has traditionally broken that up.

But the idea there being that, that some form like that, every week, slowly forms us over time that that's a part of spiritual formation over time, I heard this really great quote, I can't remember who it's from. But it basically, the person, was saying that we overestimate what we can accomplish in one really great worship service. Even if we have the best songs, and we got to the soaring heights, and everyone was crying and everyone had, you know, emotions and the prayers were prayed. We overemphasize what we can accomplish during one service. But we under emphasize what we can accomplish in 10 years of services, just a basic form. So there's, to me, what I'm taking from all that is that storytelling works on us over time.

So just the presentation of what all this is, and where we fit in all this and what we need to be able to move forward and how we're sent into the world. Hopefully, as new people, just rehearsing that piece by piece over time. That's, I guess, what we try to do, and those are similar themes to what I think about as a band. I care a lot about how an album tells a story. And I know that the album form is kind of going away. We're a lot more in a “single” music culture right now. And that's okay too. But I still care a lot about the rise and fall and how you find your footing and how you might open up over the course of an album.

And so I'm always meticulous about sequencing songs in certain places like we were sequencing this album Under The Leaves. And there was one song where I was like, Man, this song can't rhyme wanted to put it at a certain spot on the record for like the musical rise and fall. Because he's thinking a lot about how is it moving me, I think, you know, as the album goes on, how is it moving my experience my emotions? But I'm like, this song can't go that late on the album, because it's an immature song.

Seth Price 20:26

Which song is this?

Cameron Hood: 20:28

That's a song called Gone Before I Go. And, and it ended up being the song that opens the second half of the album, but it was a couple of songs later. Originally, and it's just a song of kind of running away like thinking that it will be better somewhere else. But the song that ends up following is this really deep song that Ryan wrote called Not Alone, that talks about really digging into our childhoods in our history and you know, figuring out how to have really deep roots and heal from so it doesn't make any sense to follow that with this sort of flighty relationship song about running away and thinking “Oh, it'll be better somewhere else” you know. So that's how it works on me is I want there to be this progression as you listen through time and time again that slowly it's working on you this this progression through the songs.

Seth Price 21:16

Yeah. What do you want to say I can see your mouth moving here…

Ryan David Green 21:19

Yes! I was gonna say I mean, we this it's funny because we go through this with every you know, whenever we build a setlist for any show, it's very similar. I'm building this arc, this emotional arc, that again, mostly dealing with the sort of rise and fall and crescendos of musical nature. And then he will say, like, these, you know, the message of these two should go he's thinking purely the lyrical message I'm thinking of the way the songs will flow or the way the keys will go from one another. We just did three upbeat songs. So we can do a down song, but we shouldn't do three in a row. And it's great that we view them in three different lenses and he's got the sort of, you know, analytical, lyrical approach to make that story work. He's like, what if we put these two songs next to each other? This song will be the, you know, sort of the punchline the other song needs. So it's great.

Seth Price 22:43

I get that I get both parts of the actually one of my favorite albums, and the name is escaping me at the moment. But The Brilliance are you familiar with the band?

Cameron Hood 22:52

Yeah, David Gungors band

Seth Price 22:54

He has an album, and it's like blue, and it's like a moon and I could look it up in a moment. But it is like you literally just sit there and hit play. And then you don't do anything like you just listen. And it's absolutely wonderful. Andy Squyres new album is a lot like that as well. I don't know if you've heard his new album. It is briliant.

Cameron Hood 23:14

I do think you're thinking of All is Not Lost though. Does that sound right? All is Not Lost?

Seth Price 23:20

Yeah. The one before whatever they did with the green album that's out right now. I don't know what's happening there. I'm not feeling that one. But that's okay. David can do what he wants to do, because it’s his music.

Ryan David Green 23:30

My my grandpa's a musician who I kind of inherited my love and interest for music for him that that bass that was on my wall is his bass. And when he heard he about our new CD, he wrote back and said, he emailed me and said, “

I'm trying to think of how to describe your latest CD. It's remarkable, but it goes beyond that. By the time I was listening to the final two tracks, I think I was somewhere else. And that I had to get back to reality when it was finished.

And I was like, I was so!!! Because he's a big band musician. He comes from a different era. He does, he's he plays in Dixieland jazz groups and writes for big bands. So you know, acoustic pop rock is not his forte. And I just love that it like, that it did it. I've always heard commentary he’s always encouraging but I've never gotten that kind of feedback from him so that's when you guys are talking about being you know, an album that you can get lost and I was pretty happy to hear that.

Seth Price 24:25

Oh, yeah. Those are my favorites. Absolute favorite another. He's actually let me use his music on the show in the past. Heath McNease is an artist that does that. But he makes me laugh because sometimes he'll do the same album, but one will be rap and one will be like acoustic singer-songwriter. He actually did one that's all inspired by CS Lewis, but he like weaves his family story into it. And it's actually really, it's really good.

Cameron Hood 24:51

That sounds squarely up my alley!

Seth Price 24:53

I can send it to you. Like I think it's called like the Problem of Pain is but it's it's basically based upon all of the Have CS Lewis, but he's like telling stories about his grandfather. Anyway, we're here to talk about your stuff. Not that!

Cameron Hood 25:05

We can talk about CS Lewis, man that’s awesome.

Seth Price 25:09

I'll send it to you. I'll have to get your your direct emails it's everywhere. It's on all the places. So I don't remember the name of the song. There's a lyric, actually, I do know it's so in Morning Break there's a lyric in here. And I'm going to try to read it at my handwriting here so

And all the tears I thought were wasted
watered down below

Cameron and Ryan 25:33

‘til the garden from the grave
began to grow.

Seth Price 25:37

I can't read my handwriting to grow. Yeah. Who wrote that? What is this song about? Like, and specifically, like, rip apart that lyric? Because Ryan, you said you didn't write lyrics. And then Cameron just said you wrote an entire song. So I feel like you lied to me. But that's okay.

Ryan David Green 25:46

(laughter) Yeah, primarily, we break all the rules in our band. But but it's it's like an 80/20 split.

Cameron Hood 25:52

Right. And here's the deal. I've written a good melody in my time. And Ryan has written some beautiful lyrics in his time. So, I think we both have, have skill and but we certainly work one muscle more than the other. For that song for Morning Breaking. That was written as a response to there's kind of a breakup pop song early on the record called, I Didn't Have the Chance. And it's just a song of kind of going, there was somebody that really mattered to me, and I let it slip away. I didn't speak up in time. I don't know if I had the courage to speak up in time. Or if I should have I don't know if I did the right thing, but it's slipped away.

And I kind of look back and I'm like, maybe if this, maybe if this, and then it's all just too many maybes. And we were working on that song writing. And I think I was sitting at the piano and playing it. And the last chord was sort of ringing out from it. And it's just such a song of regret, that I didn't really know where to go from there. But I think just feeling that sense of regret, I just sort of started pounding the keys. And I'm not a great piano player, but just pounding easy chords, over and over. And this melody, you know, this high vocal melody kind of came out. And this longing. This like, I've just longing to shake off regret or longing to shake off shame, longing to shake off the fear that those things that just seem to stick around, right. And so I just wrote from that perspective, and the first lyrics are

wide awake the morning breaking
night, I'm shaking off
my eyes are wider
than they’ve been in months.

And I was like, yeah, I need that in my life. I need this like, from a place like I wasn't fully there yet. But I was imagining I was build a vision. And so I kept going. And so


…the weight of my mistakes
had fallen from my hands
like scattered seeds
behind me as I ran.

And all the tears I thought were wasted
watered down below
’til a garden from the grave
began to grow.

Now, through the fields
and through the forest
on to unknown lands
I learned to love the traveller as I am

So that I'll be ready to love
When I have the chance.

And so those are the complete lyrics to that tune. And for me it was this idea that all the things I kept doing wrong. All the relationships that didn't turn out that I thought they should or who I thought I was supposed to be. Always those things feel like failure. And the idea of like waking up from and being like, all of those things, all of that weight fell off with me. But it didn't just like, it didn't just fall like a back like a you know, pilgrims sort of, you know, the back, it all came out as the seeds. Every one of those things planted a seed in my life. And I love the image that all the tears I thought were wasted were the very things that were watering those things right. All the times I thought this doesn't make any sense. I don't know how to move forward from this. Every time I pray about this particular situation, it gets harder, and not easier. You know, and I don't know how to look at that. And it's only ever years later that you look back and you go, this is how I grew from that or this thing caused this thing. And it was the most important thing that could have happened to me. But you only ever get to see it later, I think. And so it's just trying to own those things, the hard things, bringing those all in together. And saying that where I thought it was just ashes, just a grave, just brokenness. Those are the very places that the garden grows from. Those are the very places that new life can come from.

Seth Price 29:42

Yeah. Is this the same song…I don't have all the songs at least the order memorized because I hit on random, usually. There's a song. And the reason I asked is Ryan is because you talked about how important the melody is and the rise and fall and etc. There's a song in here that the piano literally sounds off tune. Is it this song is it this one, or is it the last one?

Ryan David Green 30:06

This is the main piano song on the album, right. I mean, if you’re talking about piano.

Seth Price 30:11

There's one of them like at the beginning ,it sounds like someone's slamming on it. But the piano itself sounds like a 30 year old piano. This has been in a while. (both of the guys Yes!) I that grabs my attention. So why for melody needing so much like Why leave that like there's this tension there, like there's just this…

Ryan David Green 30:29

(small chuckles)

Part of that tension is actually just the chords Cameron is playing on the piano. He's got this really dense right hand corner, and he's changing the bass notes through it. But it's there's all these very close notes to one another. You know, the five second music theory lesson for those who are not into it is that normally your notes in a chord are two keys, there's an empty white key between the other notes. You don't usually play two notes right next to each other, or you get a lot of dissonance. Unless you want that dissonance. And there's a lot of dissonance in those chords.

And so I think part of it is maybe the piano in the room itself and the distance, you know, it's it's mic’d from far away. So you're getting this big sound. It's I think it's just the anchor. It's just a picture when you hear him first come in singing, you hate him pounding the piano. And then his first note, it's written, it's like one of the highest vocals Cameron's ever song on our record. It is very top of his range. We actually recorded it low. We lowered the key initially, he demoed it up in that height and then we lowered it thinking like well let's put it in a more reasonable key for you. And we ended up going back to it's like it needs the pain it needs to like yearning it needs the effort required to be up there.

Seth Price 31:44

You both lead worship from what you said earlier. I have songs as well that I'm like, “No, if you ask me to sing this on Sunday, I'm not singing this song. Tired of this song. It's not happening” has nothing to do with the album. But I'm wondering like you show up and you're like, absolutely not. This is not happening.

Cameron Hood 31:59

It's hard. I have so many of those. But I don't want to like go on the record throwing shade at other artists. It's too hard. It's like, here's the thing. I definitely have my opinions, but I just have it to me, it's like a spiritual practice to like to, like say good things about things, you know. And so I guess I'm sort of throwing you under the bus right now Seth for asking that; sort of making you look bad right now. (we all laugh)

Seth Price 32:26

You know what..look for me know, I'll own it. Because I've literally so there's two there's Mary Did You Know. I'm not gonna sing it hate that song? Ever, ever. And then second is Trading My Sorrows. I can't stand it.

Cameron Hood 32:42

I can’t either.

Seth Price 32:44

Hey! Look at you, you did it? I'm proud of you!

Cameron Hood 32:43

(Laughs) I did it‽ You did it Seth!

Seth Price 32:46

That's it. There's a few others. There's another one that they like to sing called Come to the Water, which requires like an 18 piece band, which we don't have. And it sounds awful. Yeah, whatever.

Ryan David Green 32:58

I mean, I'm guilty, generally, of like, being I am going to be it's hard, you know, even our favorite songs of all time. Like remember how amazing Clocks by Coldplay was the first 70 times you heard it probably. It was like, amazing for a lot of times. And it's really unfortunate that like it becomes sometimes things become less obvious. Sometimes it may be you might think a song is not amazing right away. But even there's worship songs that I used to think were amazing. And then I you know, I want to feel I want I want to be stirred and so I'm like, I'm just often looking for songs with that unusual with the flat seven chord to put it in the MixoLydian mode instead of the major mode. Or it’s got the minor five chord to do the same thing. You know, Dwell this old vineyard song Dwell in the Midst of Us. (It is) three chords the whole time, but it's the the I don't remember what key it's I don't say it's G to D minor to C or something like that. It's set D minor. It's the five chord is minor instead of major and it's like that's I'm drawn to that. This is…there's positive resolution it's landing on a major chord but it's got that slightly like unusual thing there which to me reflects life on Earth.

Seth Price 34:16

I know. I know often I think all you have to do to make people extra move though is you just put the D synthesizer pad playing in the back and just let that play the whole time. Because most songs on Sunday you could just stick with D and you're fine with it. You don't even need to move it at least the songs that we play (laughs)

Ryan David Green 34:34

I mean I'll say that here's what this makes me think of is just the like this is a really hard question and I know people who have struggled who question their faith they're gonna they start realizing like was I just feeling something in worship because music makes us feel these things? You know, it was not like I felt like I was having. Am I feeling an actual connection to God? And actually, is my heart really crying out and connecting? Or is it a manipulation of the chemicals in my brain through these chords and you know, by using the the Coldplay chords and if you're in a big church the lights and the fog and stuff? Those are hard questions and if you say both and?

Seth Price 35:26

Absolutely, yeah.

I often um, so my favorite scripture for creation going back to CS Lewis, Cameron, is when in Narnia like Aslan is singing creation into being like, it's just a beautiful retelling of Genesis. It's just like, it's just wonderful, like the way that it comes in. And anyway, layers on top of itself. So I want to end with two existential questions for each of you. And you can take it in any way that you want the first one, which is a new question, because I've asked the same question of everyone for the longest time, and I'm still gonna ask that because I really enjoy it. But I'm curious, I would like to actually begin playing on the name of the show.

What do you feel like, each of you, are the things that the one thing that you're like, yeah, people need to be allowed to say this in church. And that would maybe help the church be a bit more healthy as we try to be more healthy. Because there's a lot of I would argue a lot of toxicity and pain. I saw the new research came out today that like, the amount of church attendance and people that say that their followers of any Christian faith is like at an all time low. Like it actually like shattered records today, I have the news article on my phone, like, legitimately happened today. So what do you think is one thing that you're like? Yeah, if we would allow people to voice this…maybe that's what we should be doing sitting with that?

Cameron Hood 36:46

Yeah, what do we need to be able to say at church?

I suppose I need to be able to say at church that I love Rob Bell. (Seth laughs) That, you know, he's someone who's so criticized. And, you know, there's so many reasons, but I can tell you that I wouldn't be a Christian without Rob Bell.

I mean, I grew up in the church. And I had all that faith, I had all the ways that I thought that it was supposed to work and all the prayers and everything. And it just wasn't sort of working. And I was trying to prove it to myself using the Bible and struggling with inerrancy. And you know, a lot of the themes that you talk about in this podcast. You know, how we read it, and how much we need it to be exactly true. And THE firm foundation and everything. And Rob Bell just gave me a different way to read. It wasn't even, he didn't say, there was one new way to read it. It was just he basically said, “Can we have a conversation about new ways of reading this? Do you think there might be different strands throughout history of ways that people have talked about this, including hell, including women? Could we talk about some of these things and find precedents in the church for these things”?

And that was a resounding, no. 100% we can't talk about this at church, and you're gone.

And that just grieves me. Because that just tells me and sends a message that we're not honest here. That church is not a place that we're honest about things that we're afraid of. It's not a place where we can critically address issues about the Scripture. It's a place where we're rehearsing. And that there's a good part for that. That's what I was talking about earlier, with spiritual formation, there's a good rehearsal, to all of that. But it's basically saying this is not really a place for questions. It's not really a place for conversation. And so everyone who's sitting out there quietly just absorbs that. This is not a place where we really ask questions about things. And that just bums me out. Because if we believe this is ultimate truth, right, if this is the most true thing that there could possibly be then pummel it with every possible question, you know, and it should hold up. But I think we approach it from such a more scared fragile place than that. So maybe that that would be my answer.

Seth Price 39:12

That’s good, it’s good. You started preaching there, and I'm fine with that. I like it.

Cameron Hood 39:20

Dude, I could preach.

Ryan David Green 39:19

I think yeah, I mean, it's similar to what you're saying. I think that the things that come up for me is I think, gosh, what…how about being able to say, “I don't know”, “I'm not sure”. Like, you're tight. Let's have a conversation about let's think about this. Maybe that sort of, it's a dark pressure to always have to know. And also, I feel like what you're saying, what Cameron was saying, but the other thing that comes to mind for me is just how much fear there can be.

Like why … I basically am an agreement of that like, if this is true, if there is a great truth, then whom then shall I fear? What shall I fear? What fear does there need to be? Why do we need to be afraid of us anything, of anything, to be honest of anything? So there's so many things that many that churches are afraid of. And I just feel like why are we afraid of that? Why are we afraid to look at this or to talk to this person? Or, I just, I feel like, I don't know how to articulate it any better than that. I can't preach like Cameron, but that’s what I’ll say.

Seth Price 40:33

Well, it's well, I'm gonna stay with you. Because you reference. Have either of you listen to the show in the past. It's okay if you have not

Cameron Hood 40:38

I have, you’ve had some amazing people.

Ryan David Green 40:42

Cameron has, I haven’t. I'm listening to instrumental guitar, shred, music on my iPod while Cameron’s listening to podcasts. (laughs)

Cameron Hood 40:50

And I'm like, “Whoa, Seth had Dan Koch. Wow! Brian McLaren! NT Wright!”

Seth Price 40:56

Dan is a smart guy. Dan's a smart guy. Brian's all right. No, I'm kidding, Brian is great (laughs)

So, Ryan, I just stay with you. So when you try to wrap words around what it is when you say what God is like, what is that? And then Cameron, I'm gonna ask you the same question in a moment. Like, how do you, what do you say to that?

Ryan David Green 41:17

I mean, what I love about my perception of God is that God is everything. God is the Big Bang. God is like anything that…it's like the answer to everything. You know, it's the explanation for everything in the..the…the…

I don't know how to, hmmm…, I've already kind of said it all I guess.

But that's what I feel like; is that God is creation. Every time I learned anything scientific or medical, or like, I'm just like, what‽ The universe expand is expanding at what rate like, what is going on‽ God is still expanding! Or this can be … this is what maybe the Big Bang started from this or that and it's just all like, I can't not always turn to God and go “Whoa, what”? Like, how? You know, I have no idea. But so my connection my little bit of, I think creating, it feels beautiful to be a creator in a world, in a universe, where God is still creating. Maybe “creation” is the word I would say God is.

Seth Price 42:40

Yeah, I like it. Cameron?

Cameron Hood 42:42

My first thought was like, we're so unqualified to answer this question (we all laugh…also it’s true)

Yeah, and I don't just mean Ryan and I. I mean, like the three of us and like any of us, it seems humankind.

I don't know I guess that you know, the right answer is the “Lord is gracious and compassionate, slow to anger, rich and love.”

You know, the right answer is God is our refuge and our strength. The right answer is the Lord is our light and our salvation. And the right answer is that God is love. And those are important, I don't mean to throw those into the bus. I love what it seems like you're doing here with this podcast, which is you're not throwing out all the all the babies with the bathwater. You know, there's just so much there,

Seth Price is 43:30

I love babies!

Cameron Hood 43:33

We’ve got to hold on to those babies!

Because there's so much good and so much truth. But I think it's like, there's just a bajillion ways of trying to talk about it, because you can't quite pin it down. And you couldn't, you shouldn't be able to. If you ever go, this is what God is you probably don't have it because it has to be bigger. It has to be a higher power.

You know, I love this idea that from Peter Rollins, where he talks about a lot of us, for a lot of us, God is just a projection of like our parents or something that we hope for-the best version of ourselves. He's like, Yeah, that's true. And that's true for a certain part of our development. But another part of our development is that God is a projectile. Literally the thing that comes in and destroys the last thing that you thought you knew. And you had it you had it all figured out about God, God is this. God will literally come in and just break that apart and force you into the next place. The next understanding the next. And I hate that when that happens, man, I hate it more than anything. It's fun to talk about on a podcast, but like, I always feel lost. I feel you know.

We have this first song on the album Under the Leaves is the song under the leaves. And that's really, to me, that's a song to God like the whole time. And it just is like it's talking about God like a wind that it's like rustling under the leaves. And you're like there's something there and I don't know how I could grab it. I just feel like I need to be here for it. I need to kind of breathe it in. I need to get quiet enough to listen to it. And I need to it well, let me think what it says it's like,

at morning I'm waiting
at evening I sing
at midnight I need you
and moments between
in movements I'm making
in thoughts I don't speak
in ways you've been breaking
my statues to me.

So that's the projectile idea, right? Every idea that I have of myself, God is happy to just sort of kind of knock over. And it's just like, somewhere under the leaves. It's somewhere under my breathing. And so I don't know, it's just this that thing that you can't ever quite catch, but you're like it's there. And I somehow feel like it's helping me. I somehow feel like it's pulling me forward into something good. I somehow feel like that thing wants the world to be a little bit more loving. I somehow feel like that thing wants people to be fairer, to each other and to not hurt kids, and to not mistreat other races-people who are not like us-and to not subjugate women. I somehow feel like it's pulling me into something better. But I'm definitely going to kick and scream the whole way.

Seth Price 46:02

Are you familiar, you talked about like, a projectile like breaking things. Are you familiar with like a Japanese practice called kintsugi?

Cameron Hood 46:10

Ah, I've heard of this, can you tell me about this?

Seth Price 46:12

So it's one of the ways that I like to view god, it's actually I've been, I've been wrestling with a few artistic expressions of God, like taking art and being like, that feels like God to me. One of them is kintsugi, though. So basically, it's like when you take pottery, or pottery that's been damaged, like a vessel that's been damaged. And you let it finish being broken. And those pieces lie where they are. And then you bring it back together. But like you knit it back together with like precious metals, like gold or silver, or something like that. And so when it's formed and fashioned and back together, it's literally stronger than it was when it began, because that's how welds work. But it's also beautiful, like, it's literally like at the seams bursting with precious metals. And it's just like, radiant and wonderful, and amazing. And I often think sometimes that that's like an attribute of God. Like this was this. And it was good when it was that and now it's this and look at these seams. Look at the…look how pretty the seams are. Look what we've done. Look what we've done together.

Cameron Hood 47:10

It's in like the very patterns that the gold is following are the places where it's broken. Right. So that's like all the tears I thought were wasted. You know, all the places that we would rather avoid and making the pattern the beautiful shapes and patterns.

Seth Price 47:24

Yeah. So I have no idea when the album's out. It might already be out now. I don't think it is.

Ryan David Green 47:29

It’s close, soon. April 16. Okay,

Seth Price 47:31

So I also don't know exactly when this episode were released. So let's just pretend that the album is out. What is the best way in the world that we live in, COVID wise now, to support y'all to listen to the album. Like Where should people go and go? Here's how I can help.

Ryan David Green 47:48

Yeah, jump into it. I mean, so we're Ryanhood. It's like Robin Hood but Ryanhood one word, you just go to Ryanhood.com and get it there. And that's the best way and we'll send you a record or a CD. The cool thing about this, this album is that we made a book that goes with it. So a large book full of art and full of essays and stories about all the songs. And so if you're a streamer and you want to stream the album, grab the book and sit in your lounge chair and read through the lyrics and the stories behind the songs while you do that. It's a great way to take it in.

And then the the even bigger way to you can support us, which we all know about Patreon here and this podcast is we've got a Patreon as well. And we've been having a blast. Every Sunday we do a live Zoom hang half hour Hangout. Which they run an hour they're never half hour but doesn't have any alliteration or it sounded better with half hour hangout and get to sort of connect in person with people and tell stories and share things on that platform.

Seth Price 48:53

Well, good. Thank you. You're both through evening tonight. And thanks for sitting to the album. I've enjoyed listening to it. I continue to listen to it.

Ryan David Green 49:01

Yeah, and thanks for starting with the instrumental guitar jam. That's my love language right there.

Seth Price 49:09

Well, it felt out of place to me, I'm like, why is it there's no way I kept…so I'd like like a minute and a half. I was like, Alright, so somebody is gonna start singing. And then at two minutes like literally the tempo changes like I forget, it's like 1:58 2:01 like literally the song changes. And I was like, huh, and then it's always right about then I'm like, well, I gotta go to work. Turn it off and yeah…

Ryan David Green 49:31

We'll see now I'm realizing I missed it. I thought that it was it was perhaps your favorite but now it seems if just made you uncomfortable; and that’s okay too!

Seth Price 49:40

No no! It's okay to be uncomfortable. But no, it's a fun jam. It does infuriate me because I can't play the way that either of you play. I have no idea who's playing on either of those. I'm a decent guitarist, but I'm by no means a “guitarist”. I'm in a boat. Really appreciate you both coming on. I enjoyed it.

Ryan David Green/Cameron Hood 50:03

Thank you, sir. Thanks for having us.

Cameron Hood 50:05

Thanks for opening and closing with such big questions. This is like any interview that we've had yet.

Seth Price 50:26

Well, that is it for this week. That is the show. Thank you so very much for listening. Now, I also want to thank Andrew Parks for becoming the newest patron of the show, people like him are amazing, and make the show go. So if you can, if you're able to join him right over there. And you can find links for that in the show notes.

Very Special thanks to Ryanhood for allowing me to use their music in this week's episode. And you should go and listen to that. It's been a while since I added music but there's still that playlist for all of the music that's ever been featured on the show. And today's tracks are added to that. Also, today's tracks are added to that. Now a couple quick programming things we're coming close to the end of my children's school year. And last year, I did something that was very healthy, for me, at least. And I went to an every other form of releases, and I rereleased different things in between etc. So there will still be weekly releases starting probably in June for the summer or at least a summer break.

But they will not be always what you're expecting. And so bear with me for the summer. But I think it's really important that we all take a rest sometimes. And so with that said, if you can support the show any way that you can. A huge thank you to Cameron and Ryan for their music and for their conversation today. I pray that you’re blessed, that you’re well, that things are better this year than they were last year.

We'll talk next week.

How to Fight Racism with Jemar Tisby / Transcript

Note: Can I Say This at Church is produced for audio listening. If able, I strongly encourage you to listen to the audio, which has inflection, emotion, sarcasm where applicable, and emphasis for points that may not come across well in written word. This transcript is generated using a combination of my ears and software, and may contain errors. Please check the episode for clarity before quoting in print.

Back to the Audio Episode


Jemar Tisby 0:08

So the power of history is, I think, in specificity, and one of the things that we often say is, history has the receipts. So I mean, it's powerful on multiple levels, the quote you read is important because people can say anything (but) history shows what people actually did. And you can often discern what people truly believe by what they do more than by what they say, right? So, you know, we have all these Christians saying, I believe this, that, and the other about you know, God about other people, and then they think they can enslave other people or segregate other people or pass laws to oppress other people. And it's like, no, you're telling me your theology very clearly, not by what you say (but) by what you do.

Seth Price 0:57

Here's the thing. There have been many books that have been released this year, and one of them was released January 5, on racism. And it's fantastic. It's written by Jemar Tisby. And then right after that, was the insurrection on the Capitol. So Jemar and I try to dance around that a bit. Now, you're probably thinking, wow, Seth is really getting into it here. Like he normally rambles a bit. And talks about lord knows what, but I'm that excited for this conversation to get out into the world. And so right now, I'm going to stop talking. And here we go. With Jemar Tisby.

Jemar Tisby 1:50

Man, let's rock and roll.

Seth Price 1:51

I should have been recording earlier when I said I got dressed up because that was that was nice. I didn’t plan to say that.

Jemar Tisby 1:56

Just for the record, you look quite sharp.

Seth Price 1:58

I was gonna take it off. But now I can't because you know, now like, now you can't do it. Almost doctor in like, the next 15 years, Jemar Tisby how are you, man? Welcome to the show.

Jemar Tisby 2:12

I'm excited to be here. And you know, a lot happening. So I'm eager to dive in.

Seth Price 2:18

I want to drill down on that. I just got a couple side thing. So every time I've ever heard you on a podcast, you've been working on a doctorate. It feels like as long as I've listened to podcasts, so like, when is that a thing?

Jemar Tisby 2:29

This is year five. So I'm actually on schedule. But it takes a minute. So yeah, 2021 is the hope. So if you're the praying type, you know what to pray for, that Jemar focuses and finishes dissertation this year.

Seth Price 2:42

So you're just binding Color Compromise and How to Fight Racism together. And that's your dissertation and turning it in.

Jemar Tisby 2:46

Can you make some calls to my professors, because then we could get this puppy and just be done.

Seth Price 2:53

Yeah. And you can defend it because you've been doing it for years. So just for anyone not familiar with you. And honestly, I told two friends I was talking with you. One of them is like, “Can I get a question” to which I was like, “sure, man get a question”. And the other was like, “Who is that”? (Jemar laughs)

Jemar Tisby 3:07

Yes, good!

Seth Price 3:09

Who are you? What are you? What's going on there?

Jemar Tisby 3:13

So I am historian in training studying race, religion, and social movements. I am the founder and CEO of The Witness, Incorporated, which is dedicated to black uplift from a Christian perspective. And I am a speaker and an author. And I've written two books. My first book is the Color of Compromise the Truth About the American Churches Complicity in Racism that came out January 2019. My second book is How to Fight Racism: Courageous Christianity and the Journey Toward Racial Justice. That came out January 5 2021. Just before January 6, which is a day that might stick out for some people. (Looking at you insurrection)

Seth Price 3:53

Yeah, yeah. Yeah, oddly enough, I released an episode called America's on Holy Ghosts right around there from Doctor from not from Doctor from Joel Goza, I don't know if you've ever read that or not. It covers some similar veins as the Color of Compromise but a lot of them. Here's kind of the psyche that went into the American church, and we got some work to do. And but it goes through a kind of a different vein. Like it takes the Adam Smith and here's how he influenced the church. And then ugh…(I can’t remember) I have that I could take it down, but then we get sidetracked. It's really good book. However, that's okay. Not while you're here.

So I want to probably weave back and forth between the two. But it's been a while since I read the Color of Compromise. But it seems to me as I began this book, because I read them back to back but over like six months, so yeah, it feels almost like How to Fight Racism is just like chapter 26 of the Color of Compromise, like roll credits. Oh, I had actually I wasn't done with that last chapter. I still have like 500 pages to give. So I hope you liked that last chapter. Was that like intentional? Did you write them together? Or was it more like oh, I wasn't done, or how did that kind of come about.

Jemar Tisby 5:02

So How to Fight Racism is the book I had in mind to be my first book but along the way through various conversations and circumstances, decided I needed to lay some groundwork about the problem of racism before we talked about solutions to racism. So the Color of Compromise, which is a historical survey that one came out first. But my goal was always action. And so I say, even just the Color of Compromise as a standalone book, my whole plan was to set you up for the last chapter of the book, which is about ways to fight racism. And the historical survey was just to get you mad and amped up and ready for action. And then How to Fight Racism comes along, they can be read independently of each other, but they do work together really well.

Seth Price 5:57

Is it all right, if I'm overly sarcastic and tongue in cheek in some of these questions, is that fine?

Jemar Tisby 6:01

(laughs) Let's do that.

Seth Price 6:03

There are some questions that I wanted to ask that are not in like the, you know, have the publisher like sends along those questions, pardon me? This thing won't stop running around. (new dog) bothering me, I just have to make sure he's not like destroying children's toys and whatnot. So I don't I've talked about this with a couple of my friends. And I've gone back and forth. So I personally believe that we are in like another civil rights movement. I just don't know what it's called, like, literally in the middle of it. And I could screw up and damage it and maybe my kids not have any impact in that, which I think would be awful, or the inverse. But part of me almost feels like I have to be thankful for the past administration for overtly going blinds open, y'all see all the dust!? Do you see it all? But I don't want to be thankful for any of that. Right? How do you sit with that?

Jemar Tisby 6:55

Certainly, Donald Trump, didn't create the the rifts or the dynamics that we're seeing racially in the church or beyond, but exposed it and forced people to take sides and expose themselves in a way that I haven't seen in my lifetime. And so it's one of those things where I'm you, in the attempt to survive, you use whatever conditions and circumstances you have around you in as best possible way you can. So we had a horrific, racist, sexist, narcissistic, previous President. And the best we can do with that is to say, “Well, at least I know where people stand”.

Seth Price 7:41

This is another one of the questions that isn't in the approved questions. So those all get bandied about together. And I'm cautious because I see as I've read so many people that push for social change and social justice, like they burn out, it takes a lot of energy, I think to be a prophetic voice, or your voice is silenced in other ways. So is racial justice, should that be part of like sexist justice and all the other injustices for the social movements? Or can it stand apart? Like does one have to happen first, is one more important, or are they all equally commingled?

Jemar Tisby 8:24

The way I think of it is that they are distinguishable but inseparable. So, the fact is, they're sort of mutually constituent of race, class and gender, right. And if you look at the way racism is gendered in the antebellum era, is just, you know, some of the clearest examples where women were valued, black women, were valued not just for their productive labor, but their reproductive labor. Not just for the work they could do in the fields, but for literally the reproductive capacity they had as women, which would increase the ”property” of a slave holder. Right.

So in those ways, you know, you can't separate the two, but I think you can, and you should, distinguish between them, both in terms of analysis, trying to sort of wrap our brains around what's going on with each of these things. And in terms of, sometimes in terms of, approaches, right, like I do see the potential for mission drift if an organization which was founded around fighting racism, tries to do everything. Like in this sense, there's space for multiple organizations and entities, doing similar but different things and coordinating, but you know, if you try to major on everything you end up flunking.

Seth Price 10:00

Yeah, which one of these two books was harder to write?

Jemar Tisby 10:03

They were hard in different ways. So the Color of Compromise being a first book, there's all of this anxiety, I suppose. It's somewhat akin to being a parent for the first time. What if I break it? From what I remember when we had our kid, and it just, it was the strangest feeling like my wife had our child, and then they just put them in our arms and told us to go home. Yeah! Where's the manual? What do we expect? So it's a bit of that and the anxiety, the nerve wracking, part around the Color of Compromise was, as a historical survey, I knew trained historians would read it. And I was just finishing my coursework in the grad program.

So like, I wasn't, “credentialed” like they were. So I was so afraid of getting it wrong; getting one of the facts, or details, or footnotes wrong. So that was part of what was hard about the Color of Compromise, How to Fight Racism was hard, because it's more speculative. It's more proposing solutions, and future oriented. And it's also in that sense, a lot more personal, where I'm talking about my experiences and my insights that I've gained through firsthand experience. And so putting myself out there in a way that I didn't have to with the Color of Compromise, because I was just marshaling this historical data to do with what you will, but How to Fight Racism is much more my own voice and thoughts.

Seth Price 11:39

I want to stay on history for a second. So is it alright, if I quote your book to you is anything that I can do?

Jemar Tisby 11:45

Please do because I really don't remember some of it. (I laugh)

Seth Price 11:49

What's yeah, I mean, you're, I'm sure you're reading 18 books a month for your dissertation and all the other stuff. So I don't remember what chapter it is because I read the digital version of the book. And so I don't have it to reference. So there's a part here, though, you say,

learning about the history of race, potentially has transformative power, because it shows us not simply what people believe to aspire to, but what they actually did.

But I'm curious as to why that matters. And I say that with a bit more context. So I live in Charlottesville, we're right outside of Charlottesville, Virginia. And so I get a lot of #HeritageNotHate things. I saw one yesterday, right of being right past my house, with as the POW-MIA flag on one side and the #HeritageNotHate - Rebel Flag on the other side. And then I always have to explain to my kids why it's not okay. But I'm really not good at that. So in a minute, I want to talk about that, because you also referenced that in your book as well. But why does the history matter? And then, how do you talk to someone when you begin to talk about, you know, Daughters of the American…what was it Daughters of the American rev…? What's it called?

Jemar Tisby 12:50

The Daughters of the Confederacy?

Seth Price 12:52

Yeah, where they did, like, you know, Lost Cause and all that stuff. Like, a lot of people, myself included, for a good amount of my life didn't even know what that was a thing. Like, so how do we study history? Why should we had and then what do we do with that?

Jemar Tisby 13:05

Yeah, so the power of history is, I think, in specificity, and one of the things that we often say is, history has the receipts. So I mean, it's powerful on multiple levels, the quote you read is important because people can say, anything, history shows what people actually did. And you can often discern what people truly believe by what they do more than by what they say, right? So, you know, we have all these Christians saying, I believe this, that, and the other about you know, God about other people, and then they think they can enslave other people or segregate other people or pass laws to oppress other people. And it's like, no, you're telling me your theology very clearly, not by what you say, but what you do. So that's one.

But then the the power of specificity for me, it's like, you know, we have this vague impression that racism was “bad” and that the US “was” racist, past tense, right. But then when you get into it, and you learn names and dates and places, and you hear about, you know, Luther and Mary Holbert, and how they used a corkscrew to torture them while they were still alive. When you hear about Mary Turner, who was lynched and hung, while eight months pregnant, right? When you hear about Ronald Reagan opening his presidential bid in Neshoba County, Mississippi, where three civil rights workers were murdered and buried in an earthen dam, say the words

I believe in states rights

amid Confederate flags at the fair, I follow that specificity hits different, I think, and then history tells us (and)n history is context, right? Like if you want to study the Bible, for instance, you want to know Old Testament, New Testament, who's the author, who's the audience, what time period etc. Why? So you can read discern the word of truth. Well, if you want to rightly discern our times, you got to know the context. And that's what history is. So that that Confederate statue that's in the center of town that nobody pays attention to, because it blends into the landscape, because it's been there so long. But when you get up to the base of it, and it says, you know,

sponsored by the United Daughters of the Confederacy, 1908.

And you realize, well, that's way after 1865. In the Civil War, this wasn't to memorialize the dead, this was to reinscribe white supremacy. And I recently read an article (Note from Seth* not sure if this is the article that Jemar is referencing but I found it interesting) that goes even further, UDC wasn't just about building statues. They wanted to to alter public school curriculum.

Seth Price 15:39

Didn't want to…they did, they did. I can remember growing up in Texas, and like, it implied that slaves were mostly okay and they were glad for the opportunity. Like they were excited for the opportunity to be employed in Texas.

Jemar Tisby 15:55

We gave you shelter and some work.

Seth Price 15:58

Yeah, which is a bit tongue in cheek, but also not that far off base, like, you spend like a week on slavery a week on a badly plagiarized version of Thanksgiving. And then let's just talk about Texas and the Mexican Wars. So no, they definitely have done so I get a lot of pushback, I got some pushback with someone the other day, and I actually spent the time to dig into their history of the city that they live in. Because they said that we shouldn't rewrite history books. And I was like, but the problem is they weren't history to begin with. It was like, half, a third have some of that history, because those people did those things. I don't know, maybe I'm not saying that well. But it's frustrating. And it's exhausting. Honestly, I don't know how you do this. How many of these do you do? And where do you get the energy to do as many of these?

Jemar Tisby 16:47

Well, I mean, you know, it's something that just like, you know, doing your podcast, you're passionate about it. And you think it's important, you want as many people to access it as possible. So you do the work.

Seth Price 17:00

Okay, so how do I then talk to my kids? Like that flag drives by in a massive truck, nice looking GMC truck, by the way, good looking truck. But I struggle with that, especially where I'm at here in Virginia. So like, just a little bit south of me is Washington and Lee school. And they're talking about like doing some stuff with Stonewall Jackson, I've got a couple, Lee-Stonewall Jackson stuff in Charlottesville, not far from my work that people keep painting and it gets…it's a mess. So like, I don't know how to. So I have a 12 year old and eight, almost 12, an eight year old and a five year old. And I feel like it matters, that I model better conversations. But I also know that I'm the white guy in the room. And so I'm sometimes a little bit trepid in doing that, like, what's the best way that we should approach talking to our kids in this topic?

Jemar Tisby 17:49

I think the biggest hurdle we face is our own trepidation, right? Like that's real. And so relieving some of the pressure and saying, number one, you don't have to get it perfect. And number two, it's not a one shot deal. You have lots of these conversations over the course of years to sort of shape, even disciple, you know, young people into racial justice. So I hope that relieves some of the burden.

You can get it wrong and circle back and say, you know, what I should have said it this way, or I found out some more stuff and this is what I learned. But you've got the right idea in the sense that like, you're already thinking in terms of everyday life: we pass this truck, we pass this flag or whatever, and weaving it in organically, and finding those opportunities are important. The other thing, as we know, with kids, and it's so pertinent to adults, as well as tangible and concrete as we can make it. So this idea of race, which is a social construct, right, which has roots in you know, faulty theology, faulty biology, and science, and pseudoscience and all this stuff. It can be very abstract, right? So your advantage is living in the South and actually having some physical places you can go to that illustrate it. So I took my son, he's been several times to the Civil Rights Museum in Memphis, which is built onto Lorraine Motel where King was assassinated. And you know, he doesn't get the significance yet, I probably took him for the first time when he's five or six, but he'll never forget the wreath that is hanging in the place where King was standing when he was shot. And for years after that, he would see a picture of Dr. King and he would say, “That's that man from the balcony, right” and remembered it and just the fact that it goes so far back he's gonna grow up with that infused. And so can we take them places once we get outside this pandemic and everything like that? And then lastly, you know, um, we do have multimedia and as much as we want our kids off of screens or you know, doing constructive things, why not use that to our advantage? What about you know, there are documentaries there even animated movies, there are series that can capture their attention are designed to capture their attention, but on informative topics.

Seth Price 20:18

One of the documentaries I've been watching. I don't know if I want to watch it but my son yet maybe. Is that Amend documentary on Netflix? I'm almost done with it. I don't know if you've seen it or not.

Jemar Tisby 20:27

I've read about it.

Seth Price 20:28

Yeah. So, you should watch it. But I like the way they're going. Because honestly, that was gonna be one thing. And then every episode, I'm like, oh, and now we're talking about women. Oh, and now we're talking about inclusion. Oh, and now we're talking about gay rights. And oh, and now we're like, Oh, this is nice. So I want to reference something that you alluded to at the very beginning, because often the politics of this comes up of it's too political to talk about race. I don't need to talk about race, which is just a ridiculous answer. Like it's not going away. And so the question I alluded to my friend, he said, you know, the question I would ask him is, as a historian, we've seen violence wax and wane. And he's like, you know, to me, the news and the headline tells me that there's about to be a bull market coming for white violence. And you know, so we look at January 6th and sedition in the Capitol. And all of that is, what's your take on that, you know, as it relates just to that, like the waxing and waning of that?

Jemar Tisby 21:26

White supremacy never goes down without a fight. So whenever you see a historically marginalized group pushing for more rights, more inclusion, there is a backlash or as some people call it a whitelash.

Now, obviously, we saw this after the Civil War and Reconstruction comes the hauntingly named period called Redemption and the Jim Crow era. During the Civil Rights Movement, you get a resurgence of the Ku Klux Klan, which had been dormant for a couple of decades. And now, you know, sort of as a response to Black Lives Matter and protests against anti-police brutality, actually, even before that, you're getting the Tea Party movement and things along those lines. And now you're getting the rise of other groups like the 3 Percenters and Proud Boys and the Department of Homeland Security in their annual threat assessment named white supremacist extremists, as the biggest domestic terror threat in the United States. And even the raft of laws at the state level of restricting voting rights is a response to historic turnout of black and brown voters, which, you know, elected democrats at the federal level and some Senators in Georgia and all of that. So you're definitely always going to see attempts to re inscribe white power in various sectors.

Seth Price 22:47

Yeah, I hear you start a lot of these episodes in, I've listened to a few that you've done. And you know, you say the most frequent question that you get is, okay, so now what do we do, which is kind of the genesis for the book? So I don't really want to ask that question. Because you've answered it many times. I'd like to pivot it from there. So what do you hope and maybe 10, 15, 20 years, like my kids are adults and functioning adult, God willing what should be the question that we ask then? Assuming we've made progress, sadly, as slowly as that's been like, what do you hope for? Okay, when we can replace what do we do? And we're actually doing it? What should be the question that we're asking?

Jemar Tisby 23:26

What was your witness during the civil rights movement of the 2010s, and 2020s? Because I think we can look back at the civil rights movement of the 1950s and 60s, and one of the things we most lament is the absence of a strong, positive, and unified witness among Christians. Now, plenty of black Christians and a few allies were part of it. But so much of the reckoning that has to happen is why weren't more people, in general, and more Christians in particular part of it? So the way I look at it, you mentioned this at the top of the show, and I agree, I think we're living in the civil rights movement of our day. And the question is, what will be our witness? What do we want to be true 20, 30, 40 years down the line, at least of our behavior, and our networks or churches, whatever we're part of right? We may not change the tide of anything. But where are we witnesses in the midst of it?

Seth Price 24:23

So can you give me a kindergarten understanding of critical race theory? Because it's a thing in the SBC? It's the thing that I'm not very well at understanding. I always feel stupid when I leave a conversation about it. And I'm fine with that. I am totally fine to feel stupid. And then how does that roll into what you've written about in some of the actions that people should be engaging in as we are struggling collectively against racism?

Jemar Tisby 24:49

Well that’s the thing about Critical Race Theory it's this label that has been thrust upon people who've never practiced or studied it. So I can't give you a definition because I only became more familiar with it when I started being accused of. So it's it's this Boogeyman. And if folks want to research it, Bradley Mason has done incredible work and has a series of blog posts on it. Primary Source, folks would be Kimberlé Crenshaw, Derek Bell, and there's a host of others who I have just come across because other actual critical race theorists, at least people who have studied it, have mentioned these folks. So you're going to have to Google it. But what I can say is, don't let that distract you too much. Because what we should be studying and thinking about and working against is Christian nationalism.

Seth Price 25:36

Okay, so where's my question here, hold tight. I'm discombobulate, because this dog jumped in my lap again. Alright, so coming on Christian nationalism, I read the Bible in a way, and I sit on and I pray on it, and I try to dig into the history of it. Which side note, I often find the people that seem to be the most bigoted are the people that also read the Bible the most flatly. I don't know the demographics of that. But I enjoy ripping apart the Bible and realizing, oh, here's what was going on at the time. And why that matters, like, so what do we do when we're in a faith community like that, that's not going to pivot? It's pushing back. And then we leave and we realize, oh, there's not a church, like, in my area, there's what am I…I don't think humans, especially in faith are built to be siloed off. So where do we go?

Jemar Tisby 26:29

So I think what this pandemic has forced us to think about is what is the church? And who is the church, right? Because if it's assembling on Sunday, then most of us haven't had church for a year. But I don't know that that's true. Because church isn't simply a place, it's a people. And so for me, it's looks like basically gathering a Bible study, right? Both of like minded people. I am fortunate in that they happen to be at my congregation, but I'm also in a congregation where not everyone is on the same page about politics or justice. You know, we've got Trump voters we had an elected pro life democrat was one of our pastors, you know, it spans the gamut. And we were talking at the top of the show how Trump has sort of forced people to declare themselves and choose sides. There are deep deep rifts in churches, some of these churches, are a congregation, you're going to have to leave. But that doesn't mean you've left the church, church, universal capital C church. And we're going to have to be proactive about it, right.

Like, I think we're used to going places, and there's a community there. And we sort of get in where we fit in. What we're having to do now is actually sort of scan the landscape for believers who we can gather with, and it's almost like that wilderness wandering, right. We're intense now! We're not in the promised land. We're not even in Egypt anymore. We are in the desert, but we are together.

Seth Price 28:01

Yeah. Are you familiar with some of the work of Mark Charles? He's written a book, but yeah, so I asked that because his book last year that he wrote with Professor Rah, is among the best that I've read in a long time. Do you feel like the church can either survive a conversation and actual remorse and moving away towards shalom from racism, or if the church can't survive it? Because like, so much of the churches I read the history of it is also just as much as our country laced in and wrapped in, in nationalism, empirism, and especially racism, with the papal bulls, you know, as I learned about through Mark Charles, and all that other stuff. So do you as a historian or just as a Christian, honestly think that the church can even surprise like, can survive that fracture or will not be even close to the same church that existed today?

Jemar Tisby 28:59

I do think it'll be reconstituted in some ways that we're still you know, unpacking. It is not clear what it will be yet, because it's still in process. I think institutionally, there will be some denominations and congregations that continue to persist, but they persist in their racist white supremacist ways. And they are going to bleed off people who don't want that anymore. Then the question becomes, like you were asking before, you know, where are those folks who leave these organized institutional places end up? That's what's in flux, but I think it's going to be reconfigured in novel ways, whether that's a another wave of house church movements, whether that's forming churches within churches, so to speak. So if you can't separate from the larger congregation that may believe some unhealthy things, is there a subgroup within there, that becomes your lifeline right. What does technology do in terms of church you know, there are people who are becoming members of churches that they've only visited online. So it's a shifting landscape for lots of different reasons. But, you know, the church as it has persisted, I would say, since the rise of the Religious Right in the late 70s, is being shaken up.

Seth Price 30:16

And what…I want to find the best way, so one of the things that I've learned from from Drew Hart over the last year is, as white people kind of come to a realization of, oh, man, I got work to do. And I fall in that category. I find myself often afraid to say something for fear of saying the wrong thing, or saying too many things, because I learned some things on the internet. I listened to a podcast with Seth and you. So what should be a good practice of when you're taking in new information? Here's how you should sit with it, weigh it, measure it before you begin trying to tell other people what you're processing or should it just be immediate, like, I learned to think here we go. You people are all wrong?

Jemar Tisby 30:59

Well, I think having lots of different sources, so you can sort of triangulate data and opinions. Somebody put it to me this way yesterday, they used the analogy of football. This guy I was speaking to was a football player, and he said, I was a great football player but then I was the coach of my son's football team. And I was a terrible coach. Right? So you can be a great football player, but a terrible coach. And in a similar sense, you can be a black person, a person of color, that doesn't necessarily qualify you to teach and lead other people. So that's why I say multiple sources. So you can cross tabulate, and triangulate, and form a more robust opinion. That's one thing.

Another thing is definitely a lot more listening than speaking. And when you do speak, it should be primarily or at least initially toward other white people. Because the folks that you're talking to, as little as you know, or as new as it is to you. They probably know less, and it's even newer. So you still are a step or two ahead, which is fine. I used to be a teacher, as long as you stay a chapter ahead of what you're teaching.

Seth Price 32:13

(chuckles) Nobody knows!

Jemar Tisby 32:14

Yeah, exactly. So depending on what you're talking about, it doesn't always have to be you. In fact, it probably shouldn't always be you, but pointing them to other people, other sources, especially people of color can be helpful practice.

Seth Price 32:27

Yeah, pro tip, that's also the trick for podcasting is to just be slightly ahead of where the conversation is. Just barely, unless it's just like a conversation between like, we're just riffing here. And then that's those, those are terrifying, but they're also really fun.

Jemar Tisby 32:35

Really good.

Seth Price 32:47

So there's a part and I want you to…I'm trying to find my notes. And I might not be able to, there's a part where you talk about, like writing your own racial autobiography is a practice. And I feel like it's like, right, like chapter two, or maybe chapter one, or maybe in chapter three, like, what is that? And how do I go about it? Because that was the biggest thing. When I read it. I was like, Huh, I can do that. And then I tried it. And I was frustrated, because it is deceptively hard, because I honestly don't want to admit some of these things about myself, right? Or about my family, mostly about my family where I'm like, well, this is…I'm ashamed. Just ashamed. So what is that?

Jemar Tisby 33:19

Then you are doing it right?

Seth Price 33:21

I guess.

Jemar Tisby 33:21

Again the sense of not, you know, you shouldn't be ashamed, but in the sense of you're broaching topics and feelings that you otherwise wouldn't, right. And so writing your own racial autobiography just means, you know, exploring your own racial history, your own personal experiences with it, which we tend to overestimate how much we understand because there are memories. And so we think, well, if I remember it, I know what it means. Not until you sit down and choose what words to use to describe and choose to remember certain people, places, events, do you actually really get to process right? That's one of the reasons I love writing is because by writing, I figure out what I think, you know, I don't know many times going into writing what I think I have to figure it out as I write. And so it's the same with our racial autobiography. And you ask yourself questions like, you know, what's my first memory of race? Have I ever used or been called a racial slur? What did my parents teach me about it? When this big racial event happened how did folks in my circle respond? How did I respond?

And for black folks and people of color, this is a valuable exercise because in some senses, it allows us to reclaim our voice and shape our narrative in the midst of a society that, you know, promotes our own silence or gaslights us about these experiences. For white people it's really important because so often white people don't think of themselves as having a race. They just think “I’m John. I'm Mark. I'm Suzy. I'm Karen”. Right. But they don't think of themselves as maneuvering the world as a “white” person. So this forces white people to think about how race has impacted them in a way they probably don't on the regular basis.

Seth Price 35:09

You quote a pastor that I've had on the show back in the first year of the show. So for those listening that want to dig more into what you just said, So Daniel it’s Daniel Hill, right?

Jemar Tisby 35:22

Thats right.

Seth Price 35:24

Daniel Hill. Yeah, basically, where whiteness is the default? Like all the books, all the courses are, there is no coursework in European whatever in my school, like it's, it just is what it is. So my most fun question, and I think people have begun hopefully you haven't listened any episodes, because then this will be more fun. I'm assuming that you haven't. So when you try to explain to people what the God or what the divine is, like, what do you say to that? Like, how do you wrap words around that?

Jemar Tisby 35:47

You know, people don't straight up ask me that.

Seth Price 35:53

Right.

Jemar Tisby 35:54

(Laughs)

Um, I think I try to model it, in the sense of the God I serve loves the…what Howard Thurman called the disinherited. God is for the people who the world seems against. And also has written this incredible narrative of ultimate triumph that gives me hope in a very, very dark and difficult world. And it's not a pie in the sky, once I'm dead, things will be fine—hope. It's a hope that says that kingdom come thy will be done on Earth. And it's because we have that ultimate hope of what the kingdom is going to be like, that I actually know what this world should be like. And I press forward to make it as close to that heavenly vision of the kingdom as I can, right now.

Seth Price 36:55

Yeah, I like that. Yeah, it's become my favorite question. I think I've asked it like, 100 times now.

Jemar Tisby 37:00

Yeah! How interesting.

Seth Price 37:02

I like it. Somebody said, “Well, that's existential. That's not like you should have warned me”. I'm like, no, that defeats the whole purpose. Why would I warn you? That's no fun. Well, good. Yeah. I'll end it there man. I really appreciate you coming on and working with me for scheduling and, and vice versa.

Jemar Tisby 37:20

Working with me!

Seth Price 37:22

I really appreciate it.

Jemar Tisby 37:23

Well, great questions, keep up the good work and I appreciate the conversation.

Seth Price 37:41

We have a tremendous amount of work to do, don't we? You, I, all of us, we. And sometimes I don't even know where to begin. Right? Like, I have no clue. I'm going to have to learn to listen more. If you haven't yet, decided to support the show you should do. So you can do that a couple of ways. You can hop on over to Patreon and pick the level that works for you. You can also just rate and review the podcast because that matters very much. So you just share the episode right on social media. There you go. I hope that you have a blessed and amazing week. I'll talk with you soon.